Simon Allen talks about writing and producing The Watch, the comedy drama based on Terry Pratchett's Discworld novels. There's some great insights from him in this piece.
Jesterlarf Comedy Club promoter Andy White is currently organising July's massive Cambridge Comedy Festival, which is set to feature more than 150 comedians. We talk to him about how he got started as a promoter, his tips for running a good gig, and more.
An hour-long video with top comedy writer, script editor, producer and performer Robert Popper. He chats about creating Friday Night Dinner, his writing process, and many other topics.
Feedback and suggestions appear at every step of the writing, producing or pitching processes. In this article we talk about the best ways to both give and receive notes.
A video recording of our BCG Pro Sessions Q&A with Julia McKenzie, the Creative Director for BBC Studios Audio. She explains the commissioning process for new ideas, ways writers can develop, and more.
TV producer Leah Henry talks about creating BBC Three comedy PRU and working for the forward-thinking Fully Focused Productions. She has some really interesting advice to share about how to start working in TV, and opinions on what the industry needs to do to be better.
Writer and director Gary Sinyor talks us through how he created the sitcom Hapless, which is now appearing on streaming platform My5. He explains how he got the self-funded project up-and-running and, in the process, captured the interest of TV networks.
Comedy group The Albion Basement talk to us about how they're releasing 1000 sketches as podcasts, across 1000 days. They've already learnt some interesting planning and editing lessons, which they share here.
How do you make a sitcom in a pandemic when you, the star, are shielding? That was the immense challenge facing Lost Voice Guy, aka Lee Ridley, and producer Jane Berthoud in regards to Series 3 of Radio 4's Ability.
