Not Going Out

Despite the slightly serialised element hovering over the relationships, the show mostly relies on Mack's rapid delivery of jokes, which would be more palatable if the other characters didn't persistently question his subconscious motivations in using humour to hide his feelings. There's nothing like constantly being reminded you're watching a sitcom to undermine caring at all about the modest plots.

Although slacker comedy represents a well-worn staple, that conceit takes on a rather strange quality when said slacker passes the age of 25. At a certain point, Lee seems less like an unpredictable free spirit than that annoying guy sleeping on Kate's couch and unsettling the neighbors.

The writing is sharp and clever, if a little self-indulgent: the inclusion of three zany elements (depressive author, Lee's job packing Christmas crackers, and circus skills class) in a single episode seemed to me to be trying a bit hard, when the core of the comedy has to be the interplay between Lee, Kate and Tim.

Unfortunately some of the best lines were lost; Lee's delivery was so fast that he didn't give them space to breathe, and the audience's early laughter often swamped the killer line.

A more serious problem is the location: whatever one may say about Men Behaving Badly, Extras, or even Two Pints of Lager, they all have a distinctive locale, a real place where these characters and their relatives live. In contrast, Not Going Out is set in a vague generic city, the same city as Coupling, with an anonymous flat, anonymous bar, anonymous office, and characters with no history.