James Buckley: 'I take playing Del very seriously'

James Buckley returns as a young Del Boy in a Christmas special of Rock and Chips. And he reveals this is where Del's wheeling and dealing begins...

Model receives hate mail for dating Inbetweeners star

Glamour model Clair Meek came out fighting after getting internet hate messages because she's dating James Buckley, aka Jay.

James Buckley starts 'Rock & Chips' filming

James Buckley has revealed that filming has started on the second series of Only Fools and Horses spin-off Rock & Chips.

It was, of course, excruciating, crude and uproariously funny - everything we've come to love from a brilliantly observed British comedy that will be bowing out on a high in three weeks' time. Free of his ridiculous obsession with Carli (Emily Head), Simon's overcome his unfortunate Statue of Liberty haircut and acquired actual human girlfriend Tara (Hannah Tointon); keeping her will be the real challenge.

Helpfully, the ever-loyal Will (Simon Bird) is willing to spend time with Tara's BBF - boring best friend) - if there's the prospect of some - hell, any action at the end of the day.

As The Inbetweeners has confirmed repeatedly and hilariously, the course of both true love and adolescent fumbling never runs smoothly.

Whether it was Will fainting during a gory horror film, Simon appalling Tara's parents after meeting them for the first time or Jay (James Buckley) and Neil (Blake Harrison) encountering a teacher out of his natural habitat, E4's hit series finely captures the continual embarrassment of teenage life.

Not that this third episode ever neared serious territory as The Inbetweeners thankfully avoids the death and depression plots of Skins in favour of a top-notch sight gag involving a motorbike, a new running joke to rival the "Friend!" quip of the first series and revelling in the genuine chemistry between our four loveable leads.

The Comedy Lab strand showcases up-and-coming comic talent, allowing comedians the chance to experiment and the right to fail. But, my goodness, it's a hit-and-miss affair. Take tonight's two sketch shows. You would be well advised to give iCandy a wide birth, but the second, Happy Finish, is a much funnier affair and showcases show fresh new comedic talent. On Wednesday the Flight of the Conchords star Kristen Schaal stars in the very silly Penelope Princess of Pets, before Jack Whitehall carries out a Secret Census to find out how honest Britain is. Filth (Thursday) is a crude comedy set in the offices of a lads' mag and stars James Buckley from the The Inbetweeners and Danny Dyer. On Friday, MovieMash spoofs film magazine programmes, while Hung Out follows four friends newly arrived in London from Bristol.

Filming begins on third series of The Inbetweeners

The cast of The Inbetweeners have started filming series three, James Buckley has confirmed.

Not that Del Boy would have even been troubled by the absence of quality control, but Only Fools and Horses continued several series past its sell-by date and ended up a pale, and stale, imitation of its once great self. Writer John Sullivan then flogged the dead horse even further by giving the least interesting supporting character, Boycie, an ill-judged and mirth free spin-off, The Green Green Grass.

So my expectations were suitably low as I approached Rock & Chips, a feature length Only Fools and Horses prequel set in 1960.

Guess what? It was terrific. Freed from the tyrannical demands of a studio audience, Sullivan was able to explore his characters in greater depth, fashioning a genuinely moving love story infused with poignancy and charm. The laughs may not have come as thick and fast as in Only Fools' sitcom heyday, but the comic moments were of the highest quality and beautifully crafted into the narrative. For once the description comedy-drama was fully appropriate.

Sixteen year old Del Boy (James Buckley) and his Nags Head cronies were all present and correct, seen mounting the first rung on the entrepreneurial ladder by selling nylon fibre carpets that electrocuted anyone who set foot on them. However, the focus of the film fell upon Del's mother Joan (Kellie Bright), and how she met Rodney's father, career criminal Freddie "The Frog" Robdal. In a crowd-pleasing piece of casting, Nicholas Lyndhurst played Robdal and did a fine job of it, nicely capturing the conflicted emotions of a ruthless, self-serving, amoral ex-con bewildered by love.

The period setting was lovingly recreated, the performances top notch and the script - apart from a couple of instances where Sullivan needlessly spelt out the jokes - was first class. Lovely jubbly work, John. Now leave it alone.

In its one-off revival last night as Rock & Chips, Only Fools and Horses, the BBC's over-loved hit from the Eighties and Nineties, performed a genre-bend. A broad, sentimental, Cockney sitcom became a comedy-drama of charm and subtlety that did its writer John Sullivan nothing but credit. It is possible, I concede, that as an irregular viewer I missed nuances in the original, but for most part Only Fools stays in the mind - does it not? - for the chandelier smash, Rodney and Del Boy's foggy transformation into Batman and Robin, and David Jason's perfect fall through a non-existent bar, a moment pilloried with splendid unfairness by the comedian Stewart Lee for being repeatedly voted television's funniest moment.

There was almost no physical comedy in Rock & Chips, a prequel set in 1960 (it felt earlier). Del Boy was a teenager, Rodney not yet born and their mother, Joan, not merely still alive but, in Kellie Bright's winsome portrayal, still sexy. (I'll never think of Kate Aldridge, whom she plays in The Archers, in the same way again.) The 90 minutes' broadest point was Phil Daniels's moustache, donned to complete his misjudged turn as Grandad. Joan's boss's lascivious attentions to her bosom would also count as seaside postcard humour were they not undercut by the seediness of his masturbating after each of their encounters.

Instead of big laughs we were delivered a genetic explanation for why Rodney was as he was in Only Fools: melancholy, disappointed, brighter intellectually than his half-brother Del but without his neon-glare personality. His father, an unknown quantity in the series, turned out to be a ruthless jailbird with an artistic streak called Freddie Robdal (pun), who seduced his mother right under the careless supervision of Del's idle father, Reg. Nicholas Lyndhurst who, of course, played Rodney, here played his father, Freddie, and produced a detailed performance that suggested the con's psychotic tendencies could be tamed by the right woman. It was from Freddie that Rodney must have got his brains, for Joan was so thick she did not get a single joke that Freddie pushed her way. From Joan, he clearly inherited his stoical sadness.

As the really boyish Del Boy, James Buckley conveyed during his relatively brief screen time his Oedipal feelings for his mother and an early surefootedness in business, if not in society. Joan, looking down at her new baby, predicts, not unreasonably, that Del will be rich one day. From another high rise Freddie looks down on them. She nods her head. He raises his glass in pride. His paternity has finally been acknowledged. The question posed by Rodney in the last Only Fools and Horses, did his father love his mother, has been answered. Full of astute period details, such as the family planning clinic where a room of Mrs Smiths await their pregnancy tests, and with enough good lines to get by on (a snail looks like "a bogey in a crash helmet"), Rock & Chips was better than the sequel that preceded it.

There are many for whom the words Only Fools And Horses spell comedy gold. The Peckham-based misadventures of Del Boy and co habitually figure in all-time greatest sitcom lists and there can't be anyone left alive who hasn't seen David Jason fall through the bar at the Nag's Head. Like it or not, Only Fools And Horses has become part of British folklore. So as someone who never really got the whole lovely-jubbly lark, it was hard not to approach Rock & Chips without a touch of trepidation. This prequel from writer John Sullivan threatened to be 90 minutes of in-jokes about characters I never cared about in the first place, stuffed with references that would fly straight over my head. But knock me down with a filched feather duster, if it didn't turn out toan understated slice of bittersweet nostalgia.

The first mildly weird thing Rock & Chips had going for it was that Nicholas Lyndhurst was playing the dodgy criminal who turned out to be Rodney's dad. Given that Lyndhurst will forever be linked at the hip to the gormless Rodders, it felt oddly incestuous watching him seduce Mrs Trotter in a liaison that would climax with him fathering himself. Or maybe that was just me. There were more major plus points in the performances of James Buckley (of The Inbetweeners fame) as the young Del Boy and Kellie Bright as his sainted mother. Transcending the clunking staginess and looming sentimentality that threatened to scupper Rock & Chips at any minute, Buckley and Bright seemed beamed in from a classic black-and-white kitchen sink movie of the 1960s. They deserved a show all to themselves.

Though it was strangely unconvincing in its period detail - everything looked squeaky clean and lifted from the BBC props cupboard - and had more than the odd lapse into knucklehead farce, Rock & Chips was more than a mere vanity project for John Sullivan. Somehow it made me care about the Trotters in a way decades of Only Fools And Horses never came close to.