Daniel Rigby

When failed comedian Jamie Salter (Daniel Rigby) channels his personal and professional frustrations through Waldo, the aforementioned bear he voices, and unleashes his contempt on an unsuspecting politician (Tobias Menzies), he unwittingly captures the prevailing mood of public disaffection. With a by-election approaching and his backers keen to secure a series for Waldo, the stars are aligned for a paradigm shift in electoral politics.

The most successful instalments of Charlie Brooker's Black Mirror have taken latent concerns about techonology and society, infused them real dread and then sent them spinning off in entirely unexpected directions. But The Waldo Project, which closes this second series, springs no such surprises: the execution of the concept is strangely simplistic and linear, while enough jokers get elected these days to make even a blue animated bear running for government barely worth a raised eyebrow.

Would anybody really vote for a TV cartoon character in a by-election? As imagined in the final, chillingly plausible satire in Charlie Brooker's technocentric trilogy, the worrying answer is, quite possibly, yes.

After ill-advised tweets lead to the downfall of a regional politician, there's a void to be filled. In the absence of any candidates the voters can believe in, TV PR spin fans social media into a frenzy, catapulting Waldo - a foul-mouthed animated bear - into the political arena.

Daniel Rigby (Eric Morecambe in BBC2's excellent Eric & Ernie) stars as the disillusioned comedian whose voice and movements animate the bitter Waldo.

The last of Charlie Brooker's dystopian dramas is the sharpest and lightest on its feet. It's also the most nakedly political. Daniel Rigby plays a depressed comedian, Jamie, who has found success on TV as the voice of Waldo, a foul-mouthed cartoon bear. Waldo's slot taking the mickey out of politicians on a weekly satire show is so popular that his media masters dream up a new stunt: Waldo will stand at a real by-election! (The producer figure, played by Jason Flemyng, who approves this idea is a priceless media twonk of the kind Brooker has been satirising since Nathan Barley.)

But things get complicated in the course of the by-election and the drama evolves into a story of why reviling politicians gets us nowhere. The system may be rotten but, as one character observes, "It built these roads."

Another blisteringly dark satire from Charlie Brooker, this time tackling a very serious subject: rising public disenchantment with mainstream politics. In The Waldo Moment, a lonely comedian (Daniel Rigby) is propelled into the limelight when the provocative little interactive cartoon bear he voices on TV tangles with a politician (Tobias Menzies) live on air. When the incident goes viral, the entire political process begins to look dangerously absurd. It's not a bad stab at dystopian drama, although it's not quite Orwell.

The Function Room is something which I read about earlier this year and I thought sounded really good - a possible rival for Craig Cash and Phil Mealey's brilliant pub sitcom Early Doors from the early 00s. And I have to say - aside from the annoyingly loud studio audience - I liked it.

The cast was brilliant - Trollied's Beverly Rudd, The Inbetweeners' Blake Harrison, The Vicar of Dibley's James Fleet to name just a few. There was even a great late appearance from Psychoville's and one quarter of The League of Gentlemen's, Reece Shearsmith. With such a strong cast, I had a certain faith in The Function Room before it even started... and that faith paid off.

It took a while but right from the moment a disgruntled Rudd uttered the word "Bergetw*t", I found this show very funny.

I think the key to The Function Room, and something which seems to be missing from quite a few comedies nowadays, is strong characters. From a very theatrical actor (Fleet), to a passionate busy-body who generally objects to everything (Daniel Rigby, the one who plays the slightly odd flatmate in the BT ads), and to a young, outspoken couple who only seemed to be at the 'Meet the Police' meeting 'for the craic' (Harrison and Rudd).

The Function Room definitely has legs and should be picked up by Channel 4 even just as a three-part series. It's far more deserving than Verry Terry!

This fond look at the early struggles of Morecambe & Wise as the very definition of 'affectionate' and full of lovely detail, but Daniel Rigby's Eric wasn't just an impersonation - it was a stunning performance, full stop.

The 4th best programme of 2011 according to the Radio Times.

This fond look at the early struggles of Morecambe and Wise was no broad-brushstrokes biopic. Rather, it was an accumulation of lovely detail: the down-at-heel venues, the pushy parents, how the double act evolved. Writer Peter Bowker even had room for the duo's harmonica-tootling stooge, Arthur Tolcher. The very definition of "affectionate", Eric and Ernie was a series of revelations: that Vic Reeves ought to take more straight roles; that funny can flip to poignant without being crass; and that Daniel Rigby's Eric wasn't just an uncanny impersonation - it was a stunning performance, full stop.

Radio Times' pick of the week: Warhorses of Letters

Stephen Fry and Daniel Rigby (who won a BAFTA for his portrayl of Eric Morecambe on BBC2 this year) play the corresponding horses of Napoleon and Wellington. The series is written by Robert Hudson and Marie Phillips], who explain the genesis of Warhorses of Letters - PM.

Annoyingly addictive parody of several parodies. If you liked that Ladies of Letters series on Woman's Hour, with a hint of 1066 and All That, plus gay jests, you'll like this. If not, avoid. It's February 1810 and this is an imagined correspondence between Copenhagen (Daniel Rigby) and Marengo (Stephen Fry), the first being Napoleon's horse, the second Wellington's. Copenhagen starts as more of a gusher in 21st century mode (he signs with a hoofprint and kiss kiss) than grave Marengo. Remember, Waterloo looms. By Robert Hudson and Marie Phillips.

Say what you will about BBC Drama, they do a very nice line in showbusiness biography. Written by Peter Bowker and based upon an idea by Victoria Wood, Eric and Ernie, exploring Morecambe and Wise's formative years, was one of the best I've seen.

The casting was spot on. Daniel Rigby and Bryan Dick were not just vocally and visually uncanny as the duo, they captured every mannerism and even reproduced their comic timing. Most remarkable of all, their recreation of Eric and Ernie's stage act came over as fresh and genuinely funny.

To see the two great comedians resurrected so comprehensively was almost sufficiently thrilling, but it would be a shame to allow the virtuosity of Rigby and Dick's performances to obscure a beautifully crafted, poignant, witty and gentle drama about friendship, family and showbusiness struggle.

"Big head, short legs" was the young Eric's initial reaction on meeting Ernie Wiseman, already a star on the West End stage and celebrated as "Britain's Mickey Rooney". But from inauspicious beginnings a firm friendship grew, out of which sprang their double act.

Victoria Wood played Eric's pushy mum Sadie, vicariously revelling in her son's onstage success, with Jim Moir - you know, Vic Reeves - as her long suffering and overlooked husband George.