So was there a political edge to scheduling the rambunctious, booze-soaked Two Doors Down on the national network during New Year's Eve primetime? Viewers in the rest of the UK might have their suspicions or preconceptions about what happens at a traditional Scottish Hogmanay house party - underage drinking, sexual promiscuity, almost aggressive sentimentality, the single-minded pursuit of steak pie - and this one-off comedy reinforced and celebrated the best and worst of them.

With a conspiracy bunnet on, you could point to Alex Norton and Arabella Weir's harried hosts being called "the Bairds" and infer that this was intended as a tongue-in-cheek reflection of modern Scotland, bared for all to see. The guest list included middle-class neighbours obsessed with designer labels, a young returning soldier and a Scandinavian couple who looked a lot more attractive than everyone else, but were also a lot duller. In truth, any search for political subtext was overshadowed by the combination of Royle Family-style domestic comedy and rapidly escalating farce. Weir's brilliantly sustained accent, one of the best Kirsty Wark impressions I've ever heard, was just the maraschino cherry on top.

The younger generation of Scottish acting talent was well represented by My Mad Fat Diary's Sharon Rooney and Greg McHugh, the hardest-working man in sitcom-land. It was also good to see Jonathan Watson smoothly integrate himself into an ensemble, even if his malt-obsessed golf club bore veered into caricature. The showiest role, though, went to Daniela Nardini as the predatory Aunt Caroline back up from "that London". A blowsy vision in LBD and heels, Caroline's single-minded pursuit of hunky Thor-alike Henning culminated in a memorable gazebo disaster. For fans of This Life, Caroline felt like an alternate-universe version of Anna after almost two decades of questionable life choices.

Two Doors Down (BBC One) brings New Year to Scotland. Hogmanay then. The Bairds, Eric and Beth, are having a few people over: son Ian, Ian's partner Tony, not-gay darling soldier son Angus (though he hasn't arrived yet), Beth's man-eating sister Caroline. Plus a few people from the neighbourhood - a dull aspirational (snobby) couple, a pair of Norwegians, a few teenagers.

There's something of the feel of a Radio 4 play transferred to television about it. And at times it follows a path too obvious. So gay Tony asks for pear cider, which obviously Eric doesn't have. And the Norwegian woman is earnest and worthy and has a moan to Beth that she's not doing her recycling right. And all the Scots drink a lot and don't really know anything about Norway, like where it is or how it's different from Sweden.

But there are some cracking performances - from Arabella Weir, Alex Norton, Daniela Nardini (Caroline, of course) and more. And some lovely observations. Anyone with a family, or neighbours, will recognise just about everyone here. I especially like Colin (Jonathan Watson), the tedious know-it-all who knows it all about cars and malt whisky and everything else as well as the best way to get from A to B on the A this or the B that or whatever. There's a Colin in everyone's lives, and most people's Christmases or New Years, no?

As the evening goes on, and the booze goes down, guards fall away, old prejudices and secrets, truths and bitternesses start to creep out. Tomorrow's steak pie is eaten today, and the gazebo is trashed. By the time the bells go, and Angus eventually shows up, it's a glorious hell. At least as ghastly as it was 500 years ago. Happy new year.

Staying in on New Year's Eve when you'd rather be out? Comfort comes in the form of Simon Carlyle's one-off comedy, which demonstrates that Hogmanay parties aren't all prawn rings, soft light and witty banter. Alex Norton and Arabella Weir star as hosts Eric and Beth, who are hoping that their son Angus, serving in Iraq, will be home in time for a slice of Beth's legendary steak pie.

Their guests are friends and neighbours who wouldn't be an obvious social fit: Beth's sister Caroline (Daniela Nardini) is unpredictable, and teenager Sophie (Sharon Rooney) has been left at home by her parents. There's also a pair each of snobs and Norwegians, ill-suited in their own ways to traditional Scottish revelry. Will they all make it through to the bells?

Arabella Weir: I dread the countdown to midnight

The star of BBC's Two Doors Down wonders why so much fuss is made about New Year's Eve.

All hail The Female Inbetweeners. There's lots to like here: sharp one-liners, the right level of smut and warm female friendships, centred on getting drunk and mocking each other. Episode one sets it up: chief drifter Meg (Jessica Knappett) returns from India and plans to live at home with her parents (Bob Mortimer and Arabella Weir) until she gets "a cool, arty, media-y job". In the second episode, the girls gatecrash a wake and rename the walk of shame the "stride of pride". Lovely and funny.

Hitching a ride on the coat-tails of the seventh series of The Big Bang Theory, this new British sitcom might not have a snowball's chance in hell of matching that for clever gags.

But give it a chance. It's written by and stars Jessica Knappett as Meg alongside Lydia Rose Bewley and Lauren O'Rourke, who were all in The Inbetweeners Movie.

But as these girls are in their mid-20s, it's closer in age (if not in cleverness) to Lena Dunham's Girls than a female Inbetweeners, mining that period after university when your dream career fails to drop into your lap and you end up drifting between dead-end jobs and even more dead-end relationships.

Arabella Weir and Bob Mortimer play Meg's parents.

Best bit of the second episode of tonight's double bill shows why you should never order oysters on a first date. Set in Leeds, its crassness is part of its charm.

Richard Wilson, actor, director and possibly the nation's favourite fictional grouse, got so fed up with being greeted with his One Foot in the Grave TV catchline "I don't believe it!" that he's now been persuaded to launch his "radiography". It's a heady mix of the actual with the fictional, written by Jon Canter, starring Wilson and a starry roster of support which includes John Sessions, David Tennant and Arabella Weir. Unpick the facts (Wilson is unmarried, private, passionate about theatre, politics and Manchester United) from the mischievous fantasies.

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