Interview: rarely asked questions - Alex Lowe

You may not know who Alex Lowe is but you really should. He is the man behind Barry from Watford, the eccentric, elderly gent and scourge of radio phone-in shows.

Radio 4 series for Barry from Watford

Barry from Watford is getting his own [z]Radio 4[z/] show. The rasping octogenarian's creator, Alex Lowe, is writing Barry's Lunch Club, a stand-up series for the 11.30am comedy slot, in which the character acts as an agony uncle for the middle-aged and elderly.

Radio Times review

Series nine of what must be Radio 4's longest-currently-running sitcom begins with Clare (the superb Sally Phillips) arriving late for a meeting with her fellow social workers at Sparrowhawk Family Centre. Which is rather odd, as she's supposed to be on honeymoon at the time.

She's remaining tight-lipped as to why she left her long-suffering partner Brian (Alex Lowe) at the airport while he enjoyed a nibbling-fish foot spa. But as he decided to continue on the holiday - it is full board and non-refundable, so it's a shame to waste it - we get to hear his side of the story when numbs the minds of his fellow holiday-makers and locals with the details.

It provides a complementary storyline to the travails of the social workers back home, and includes a hilarious turn from Nina Conti as a shrill holiday rep intent only on relaying information about a series of increasingly bizarre day trips.

Meanwhile, Clare is having to contend with an elderly Mrs Magoo character on the Sparrowhawk Estate, who is convinced that she will die that day - as her visual sight has diminished so her second sight has improved, apparently. Hannah Gordon is virtually unrecognisable as the batty old dear.

If you haven't listened before - and if not, where have you been for the past ten years? - Clare in the Community walks a fine line between silly, scatological humour and nuanced satire of government do-gooders who know all the current jargon but nothing of people's everyday concerns.

Last two comedy shorts of the series. There's a slightly patchy one - Nell, Ted And Marlon - about a member of So Solid Crew helping out with a community choir, but the real treat here is Alex Lowe and Fraser Steele's Barry, featuring Lowe's octogenarian character Barry from Watford. In his 80s and determined to live life to the full now his wife has left him for a local entrepreneur, he checks things off his bucket list with the help of his grandson. Joyous and such skilful character work. Full series please.

Made by Steve Coogan's Baby Cow stable, Common Ground is a collection of ten 15-minute comedy shorts, each set in a neighbourhood in south London. Having featured Simon Day, Amelia Bullmore, Jessica Hynes and Charles Dance in previous weeks, the series concludes with Barry - based around Alex Lowe's octogenarian little Englander character which he honed by calling in to Iain Lee's LBC programme in the mid-2000s. With his wife having run off with a retired financial advisor, Barry embarks on a bucket list with his grandson.

It may not be earth-shatteringly original, but it's worth it just to hear Barry's view on pink candy floss: 'It's like eating Barbara Cartland's minge.' A (fictional) former member of So Solid Crew takes over a church choir in the far-funnier Nell, Ted and Marlon. It quickly descends into a creepy love triangle (with One Foot In the Grave actress Annette Crosbie occasionally chiming in with some unexpected filth); the humour is sharp, surreal and pleasantly wicked in places.

The Common Ground comedy series, for which all episodes are set in the same stretch of south London, draws to a close with two more short films. In the main it's been a success with the majority of the stories working well. Tonight's double bill opens with the amusing Nell, Ted and Marlon in which Marlon (Daniel Lawrence Taylor), who claims to be a former member of garage and hip-hop group So Solid Crew, arrives to give guest lessons at a local singing class and becomes infatuated with Nell (Eri Jackson) and her oddly protective brother Ted (Danny Morgan). The wry Barry stars Alex Lowe as an old man who decides to live out a long forgotten bucket list when his wife dumps him - leaving his daughter (Linda Robson) a little perplexed.

Great Night Out is a comedy drama about four thirtysomething mates from Stockport, whose principal interests are football, banter, women and the pub. That is also about as deep as their characterisation goes, leaving the quartet looking for all the world like stereotypes in search of a lager advert to occupy.

Episode 1 ambles along inoffensively enough, neatly interweaving a trio of plots concerning salsa classes, an anniversary celebration and a runaway groom on a London-bound train, but despite several winning performances I never really engaged or identified with any of the main characters.

This was a problem further compounded by two scene-stealing cameos from Jessica Gunning and Alex Lowe, as an obnoxiously insensitive party crasher and an endearingly bizarre Lancashire salsa teacher respectively. The characters charged with actually carrying the series looked very dull by comparison.

Great Night Out has so far provided nothing more than an okay night in, but things may improve as the series settles into its run. A few more laughs certainly wouldn't go amiss.

The first episode of Watson & Oliver was, on the whole, pretty poor. It began well - I was especially fond of the opening sketch in which Lorna Watson draws eyebrows on her face in response to Ingrid Oliver's feelings, which became more and more ridiculous as the conversation went on. The duo are good physical performers.

However, I didn't enjoy the second half of the episode nearly as much.

The problem seems to be the writing. Some of the sketches seemed lack any purpose, like the friendly conversation between a prisoner and a warden. It totally stumped me, and I think judging by the audience reaction the studio didn't realise understand it either (mostly light tittering and nothing more).

Concerning the writing, I think that the most interesting aspect of Watson & Oliver is that while Watson and Oliver are the main writers, there is a larger bunch of writers providing "additional material". In the opening episode, for example, Kevin Cecil, Ali Crockatt, David Scott, Alex Lowe and Robert Mills all contributed. In other words, apart from the two stars, all the writers are men writing for female roles. Perhaps if Watson and Oliver wrote all their material there'd be a fluidity to the show and it might, well, be a bit better.

Still, it's probably best to see what comes up in future episodes...

Sally Phillips plays Clare, self-absorbed social worker and new mother in the latest series of the sitcom by Harry Venning and David Ramsden. In their meticulously observed comedy of modern manners, Liza Tarbuck plays best friend Helen, Alex Lowe is Brian, the proud new father, whose best mate is Simon (Andrew Wincott), Helen's ex-husband. Nina Conti retains her role of put-upon Megan and doubles up as Nali, the au pair (not nearly as put-upon as she at first seems). Meanwhile, is this baby to be called Mandela, Mahatma or Thomas Paine?