The Comic Strip Presents... Red Top, saw some of the brand's original cast members including Nigel Planer and Peter Richardson appear beside some new recruits. These new recruits included Maxine Peake who took the lead as disgraced News International boss Rebekah Brooks in this retelling of the phone-hacking scandal that was written like it was set in the 1970s despite its many modern references. Peake provided the narration from Rebekah's own point-of-view painting herself as a naive Northern girl even though all of her co-workers thought differently. The action played out over 75 minutes and shot at many targets including The Guardian, David Cameron's attempts to become prime minister as well as the whole phone hacking scandal itself. But despite its satirical edge, I found that Red Top was quite scattershot in its approach and the script never really hung together that well. There were some elements of the programme I liked namely Russell Tovey's turn as Andy Coulson and his relationship with a stereotypical Sun journalist played by Johnny Vegas. Vegas' kind hearted reporter was eventually revealed to be the man who exposed the whole hacking scandal and the references to the Watergate Scandal were actually quite amusing. Even though it didn't really fit into anything else in the piece, I also quite liked the fact Red Top's portrayal of Tony Blair as a new-wave hippy who'd reinvented himself as a musical God. In a lovely bit of continuity Blair was played by Stephen Mangan who'd previously portrayed the former PM in The Comic Strip's last outing. However I do feel that the negatives outweighed the positives as I found a lot of the gags a bit obvious for example Wendi Deng's drugging of Rupert Murdoch in order for her to have control of his empire. Additionally I didn't feel some of the famous faces necessarily needed to be part of the story and this was particularly true in regards to Harry Enfield's Ross Kemp whose participation in the piece was minimal at best. But my main issue with Red Top was that the central joke about Rebekah Brooks' innocent outlook on events wore thin by about the halfway point. This is a shame as I believe that Peake did a good job with what she was given but I do feel that the material let her down to an extent. Overall I think that Red Top had some interesting elements but will ultimately go down as a rather forgettable entry into The Comic Strip collection.

News International gets a thorough skewering in this new instalment of the veteran satire series Comic Strip. The peerless Maxine Peake stars as flame-haired red top editor Rebekah Brooks, an "innocent and beguiling northern girl" who rises to the top of the tabloid publishing empire alongside Russell Tovey's Andy Coulson. As ever, it's a star-studded affair, with Stephen Mangan as a 70s Tony Blair and Harry Enfield as Ross Kemp, alongside top turns from Johnny Vegas, Nigel Planer and Alexei Sayle.

How the Comic Strip took on the phone hacking scandal

Maxine Peake, Stephen Mangan and the other cast of Red Top open up on their 70s-inspired take on News International.

The Red Top preview

It's 75-minutes of pure entertainment and pure escape, and if nothing else, watching Maxine Peake, Russell Tovey, Eleanor Matsuura, Johnny Vegas, Alexei Sayle, Harry Enfield, James Buckley, John Sessions, Stephen Mangan and Peter Richardson share the screen is a real joy.

Radio Times review

This will be the 42nd instalment of The Comic Strip Presents pageant to be aired over the best part of 35 years, and it promises to be the kind of shamelessly silly, flight-of-fancy spoof that has become something of a national institution in the other 41.

The target for their satirical boot this time is the phone-hacking scandal, but transposed to the disco-era 1970s. Rebekah Brooks (Maxine Peake) is here a naive northern girl who more or less accidentally becomes chief executive of News International and roller-skates (literally) through life unaware of the dreadful things going on around her.

One of the only survivors of the troupe that first launched Channel 4 on air in 1982 is Nigel Planer, here playing a hen-pecked Rupert Murdoch, while Stephen Mangan reprises his Tony Blair turn (as a groovy rocker) and Harry Enfield dons the bald cap to embody Brooks's sometime husband, Ross Kemp.

In which mostly grumpy and sometimes quite old celebs reflect on the problems that ensue when leaving the house to go to work or the shops, or even to head out on holiday or for a jolly. In more detail, that means the likes of James Corden, Jonathan Ross, Ruth Jones and Stephen Mangan discussing the guilty thrill of buying a cheap round down the pub, the seething anger that underpins making tea for office colleagues, and performance anxiety - when packing shopping at the supermarket.

A series that shows self-deprecating Britishness isn't solely the preserve of Grumpy Old Men repeats on Dave. VBP wheels out reliable talking heads (Vic Reeves, Nigel Havers, Stephen Mangan) to anatomise various points of British difficulty, and this week, it's social awkwardness. Air kissing. Hugs. Reflex apologies. All are fraught with difficulty and embarrassment. As for having a nice day, you shouldn't suggest that to Nigel Havers. "I'm having a very nasty day," he says. "But it's nothing to do with you."

Radio Times review

Because Jeffrey Klarik and David Crane have created such a host of fabulous supporting characters over the four series of Episodes, Stephen Mangan and Tamsin Greig's bemused-Brits-in-LA Sean and Beverly can take a back seat in this hilarious season finale and let the carnage unfold around them.

The Matt/Merc feud reaches an exquisitely absurd climax on the set of the LeBlanc-fronted new game show The Box (is it me or is the format for this actually quite good?). And Helen Basch's envious suspicions about her girlfriend Carol also come to a head in a rollicking 30 minutes that shows just how deftly plotted Klarik and Crane's writing is. Thank the showbiz gods there will be another series. Or as Matt might put it: "Bring on the bugs!"

Series four of Episodes is the best yet

As the curtain falls on the fourth series of the Matt LeBlanc, Tamsin Greig and Stephen Mangan comedy, Ben Dowell says the show has never been better.