Sarah Hadland: Miranda & I may well work together again

The comedy actresses, who played best friends Miranda and Stevie in Hart's hit BBC One sitcom, have another project in the pipeline. And it's not Call the Midwife...

Sarah Hadland: saying a final farewell to Miranda

"I read it all, ringing her in between and going, 'Reaaaaally? Is that what's going to happen?!'" says Hadland, who plays best friend Stevie in the hit BBC One sitcom.

Back for a second series was ITV2 comedy The Job Lot. Starring the excellent Russell Tovey (Him & Her, HBO's Looking) as Karl, an art history graduate working in a Midlands job centre. It could, you suppose provide an interesting conceit. Therein lies the problem. The high jinx contained in the wacky world of a job centre sounds so much like a neat pitch for a sitcom that it makes everything a bit too, well, sitcom-y. Tovey is straight man, longing to escape, Sarah Hadland's Trish Collingwood is a boss who actually says the line "I'm your boss. I also want to be your best friend". Stand-up Jo Enright is the supercilious jobsworth with ambitions for a promotion. It's all a bit assistant to the regional manager in its ambitions.

The opening episode is also littered with sex. And I use that verb literally. We begin with Trish having slept over at Karl's flat, we later saw her having sex behind a bin. She said: "After the drought comes the flood, and I am ready to get soaking wet." Trish also introduces a new member of staff thus: "She's a virgin [long beat] a job-centre virgin!" HAHAHAHA SEX!

Which is a shame because it has the basis of something that could be quite rewarding. If only it had a bit more confidence in its characters, like the deadpan nerdism of Adeel Akhtar's George.

Sarah Hadland, Angela Curran, Laura Aikman interview

I spoke to Sarah Hadland who plays the manager of Brownall Job Centre, Angela Curran who plays security guard Janette and Laura Aikman who joins the cast for Series 2 playing deputy manager Natalie. Here's what they each had to say...

Sarah Hadland interview

She was told she'd never make an actor - that was before shooting to the top as Miranda Hart's TV sidekick. Now Sarah Hadland is set for her debut stage comedy with Robert Webb.

This low-key sitcom set in a job centre potters along to its penultimate episode and yet again nothing much happens, though it remains mildly diverting and good-hearted. The terrible Angela (Jo Enright) buys a new coffee machine with lottery winnings, while sweet-natured Karl (Russell Tovey) falls for a minx of a barmaid who also turns out to be a claimant. And she likes taking risks, as he finds out to his mortification.

Meanwhile, manager Trish (Sarah Hadland) is doing appraisals, which means she insists on close proximity to her employees...

It's no secret that many alleged "grown-ups" are supplementing their haphazard history educations with CBBC's Horrible Histories, back for its fifth series with lovely, daft input from The League of Gentlemen. Tiny, mighty Sarah Hadland from Miranda and funny, clever Alice Lowe, writer of Sightseers are regular faces too. To adult eyes, Horrible Histories has the distinct feel of a group of bright, young, erudite, writery-actory sparks having a tremendously good time. One that they probably wouldn't be permitted to have anywhere else on telly.

Kids love them as they are the most peculiar sort of grown-ups. The sort of wonky uncles and aunties who turn up to tea with mild hangovers, scant regard for etiquette and a host of stories about idiot highway men, Second World War bat bombs (bombs attached to bats, prone to exploding before they left the American base) and an imaginary CD compilation called Now That's What I Call Spartan Warrior Music.

There's something about the Horrible Histories gang I find terrifically, stupidly, funny. They're the best bits of Monty Python, Roald Dahl, Tiswas, BBC2's The Tudors and The Young Ones all shoved into a bin and bashed with a stick. "Divorced, beheaded and Died! Divorced, Beheaded, Survived!" is the song that carousels in my mind whenever anyone mentions Henry VIII. Horrible Histories drummed the order of Henry's wives and their fates into my mind where A-level cramming failed forlornly. If only Mathew Baynton and Ben Willbond had shown up at my school in the Nineties and sung a few songs about the fall of the Holy Roman Empire, I could have a proper job now. Not just writing down stuff I think, drinking Earl Grey and taking Yodel deliveries in for neighbours.

The Job Lot (ITV) is one of those comedies I want to make me bellylaugh because of the people in it but I'm not really getting beyond the odd wry smirk.

Despite boasting a great cast - Russell Tovey from Him & Her (and much besides), Miranda's Sarah Hadland and Adeel Akhtar from Utopia - squeezing amusement out of the daily grind of life in a job centre is proving an uphill struggle.

The problem partly stems from the feeling that the characters haven't got anywhere to go. Tovey's desk monkey Karl is the equivalent of Martin Freeman's Tim in The Office, both stuck in dead-end jobs and not quite sure how they got there, both niggled by the idea they're worth something better. But with Tim you could envision a life beyond; Karl ceases to exist the moment he steps outside the door.

It's that lack of credibility that makes The Job Lot just a journeyman old-school sitcom, cranking the odd easy laugh out of secret websites and unwipeable whiteboards - drawings of bottoms always crack a smile - but the lack of ambition makes it a candidate for early redundancy.

Sarah Hadland interview

Sarah Hadland, 42, is best known as Stevie in sitcom Miranda. She can now be seen as Trish in The Job Lot, a comedy set in a West Midlands job centre.

And I'm afraid I wasn't too impressed with another new sitcom, The Job Lot, which came on straight after Vicious. It had the air of The Office about it, following the lives of those working at a job centre in the West Midlands. But it was nowhere near as good as Ricky Gervais' classic series.

The show was about work - or the lack of it - and the characters in the office and their relationships - or lack of them - and, though it started with the Morecambe & Wise song Bring Me Sunshine, it did anything but. It left me as disillusioned as the employers.

In fairness, the performers were likeable enough, such as Miranda's Sarah Hadland's turn as neurotic Trish, and Russell Tovey as Karl, the frazzled manager.

The one shining light in an otherwise average sitcom was Jo Enright, brilliantly irritating as Angela, an unsmiling jobsworth and borderline psychopath.

Sadly, two vital ingredients were missing from the half hour show - laughs and the plots, both of which are pretty important when it comes to making good TV. Add to that the annoying background music and I've got another reason not to tune in again.