Martin Clunes

Comparisons are all but unavoidable in the case of Reggie Perrin, a remake of The Fall and Rise of Reginald Perrin, with Martin Clunes making the bold attempt to fill Leonard Rossiter's boots. I don't know if I can stress enough what a depressing idea this is on paper. A television channel should always have the ambition to create its own fond memories rather than lazily refurbish those from 30 years ago. And if you do go the recycling route you're likely to find that the fond memories of five years ago will probably get in the way. When David Nobbs's sitcom first went out, its bleak take on the purgatory of office life had very few rivals. The remake has to compete not only with memories of its own source, but also of The Office, a comedy that effectively rewrote the rules about how you could tackle the anomie of the nine-to-five.

It really is a bit surprising, then, that Reggie Perrin should work as well as it does. Martin Clunes helps a lot. He looks funny when he's glum, in a way that's sufficiently different to Leonard Rossiter. And the script - a collaboration between Simon Nye and David Nobbs - has some good lines in it. Reggie doesn't work at Sunshine Desserts anymore (though he walks past the sign on his way to the office), but at a grooming products company. CJ is younger and rather less dependent on his "I didn't get where I am today" catchphrase, and Reggie's toadying subordinates have been replaced by an unconvincing pair of marketing-types. It's not a disaster, by any means, which may be the best you can hope for from such an unimaginative commission.

The fall and rise and fall and rise and fall

Individual lines, which may have been Nobbs's, and may have been Simon Nye's, were fine, and Martin Clunes did a fair job as Reggie, also driven to fantasy by his humdrum life. But there was something wrong about the whole thing.

The Times Review

Personally, I engage with the escalating depression and insanity of Clunes's Perrin more than I did with Rossiter's - who, however talented an actor, couldn't quite cover up the fact that he would have been a ferociously bitter, difficult and demanding next-door neighbour, say; or company if seated next to him at a dinner party.

You'd have to be very brave or very foolish to tackle a remake of classic 1970s sitcom The Fall And Rise Of Reginald Perrin. As this was written by the novel's author David Nobbs together with Men Behaving Badly creator Simon Nye, it's definitely a gamble worth taking.

It helps that Martin Clunes, who has the unenviable task of stepping into Leonard Rossiter's shoes as the downtrodden office man, looks nothing like the 70s star. Viewers who remember the original will be preoccupied with making comparisons. So what else is different?

Modernisation means that even Reggie's fantasy life must be politically correct - so no more hippo fantasies. And as his boss Chris Jackson, Neil Stuke has a the difficult job of measuring up to John Barron's masterful CJ.

What is strange is the fanciful excuses Reggie used to give each morning for why he was late now sound exactly like announcements commuters hear every day. "Wrong kind of passenger at South Norwood?" Why not?

Martin Clunes is a first-rate comedy actor, but also a very courageous one if he's willing to tackle a character created by comic genius Leonard Rossiter. Yet although Clunes lacks Rossiter's manic edge, nobody does grumpy curmudgeon better and there are other differences in the series that augur well, not least that Perrin creator David Nobbs has co-written this series with Men Behaving Badly creator Simon Nye, who understands Clunes' talent well.

Characters like Wendy Craig's Marion, Reggie's disapproving mum, are refreshingly new and there's promise in the casting of Fay Ripley as Perrin's wife and Geoffrey Whitehead as her father.

Oh, crumbs - they've only gone and done it. One of the BBC's finest ever comedies - originally featuring a stellar performance from the peerless Leonard Rossiter - has been pulled from retirement and given rejuvenating injections of Botox. Still, the story of an everyman who jacks in his job to start from scratch is just as resonant these days, so hopefully Martin Clunes as Reggie, plus Faye Ripley and Wendy Craig, won't go too far wrong...

Martin Clunes rises to Perrin role

Martin Clunes shares his memories of the old Reggie Perrin and tells us what we can expect from the new.

Honestly, this is tantamount to a mugging. Somebody in comedy commissioning at the Beeb must have tortured logic until it screamed: "Remake classic 1970s sitcom The Fall and Rise of Reginald Perrin!". That's clearly the only explanation for this travesty of a show, saved marginally by the presence of Martin Clunes in the title role. But seriously, when you're stepping into shoes vacated by the late, great Leonard Rossiter, even the best fall short of the mark. Way short.

Oh dear. This won't be the worst thing you'll see this year. But, with its canned laughter, wobbly sets and dated jokes, it might just make your top five. 'Reimagining' (darh-ling!) a hallowed TV classic is probably never wise, even when you have the original writer, plus Simon Nye, plus a great cast on board. Martin Clunes isn't horrendous as mid-life crisis-struck Reggie, but hey, he's no Leonard Rossiter. And he has to make the best out of ancient gags such as 'Anything that bleeds for five days without dying deserves a bunch of flowers'. Which we're sure was recycled from his Men Behaving Badly days.

We probably didn't need a remake of Leonard Rossiter's The Fall and Rise of Reginald Perrin, given that middle-class/workplace alienation has now been parodied so effectively in the likes of Men Behaving Badly, The Office and Peep Show. Still, the first episode of this latest airing - which now sees Reggie as a bored razor blade guru - is thoroughly watchable thanks mostly to a cutting script and a sterling performance by Martin Clunes.