John Cleese

Monty Python's John Cleese in wheelchair

John Cleese's silly walks are on hold after a busted knee left him needing a wheelchair.

Non-flying circus: John Cleese's £3,300 taxi fare

Volcanic ash cloud forces comedian to travel 1,000 miles by cab.

John Cleese to lend voice to 'Fable III' computer game

John Cleese will supply voice work for Fable III. The Monty Python star will play the butler when users take the throne within the later stages of the game.

Nobody does manic, despairing farce quite like John Cleese, who co-wrote and co-stars in this, his biggest film hit. He plays Archie Leach, a stuffy lawyer who is seduced by the minxy Wanda (Jamie Lee Curtis) - not realising that she's a bank robber and con artist who's using him for her own wicked ends. Michael Palin co-stars.

Getting out at the top

It is a curiously British thing to take a sledgehammer to your own success, but that is what is regularly done - and it is, of course, partly the fault of John Cleese.

John Cleese once said that it was harder to be funny than to be clever. The Cambridge-educated Alexander Armstrong and Ben Miller obviously decided to take the high road and go for funny in the second series of The Armstrong and Miller Show.

Their sketches have no point or satirical edge to them. Teachers doing acrobatics while their pupils' backs are turned during an exam, an accident-prone art presenter, even their famous street-talking RAF men have nothing to say. Yet most of the stuff - barring a terrible Star Trek sketch that could have come out of Morecambe and Wise - works. The Blue Peter presenters apologising in child-speak for their off-air decadences may even turn into a classic.

The performances are meticulous. Particularly to be savoured on Friday was Armstrong's tactical use of accents: the northern Blue Peter man's pronunciation of "film" with an extra couple of Ls in it, and the info-commercial guy's voice suddenly dropping a few social classes when it came to saying "three tharsand peounds". There is cleverness here, but it is in the detail.

Sitcoms don't get any funnier than Fawlty Towers

Basil Fawlty was rude, snobby, smarmy, hen-pecked, quick to anger, sarcastic and prudish - in the words of his creator, John Cleese, "an absolutely awful human being." But this unforgettable character stood at the center of one of the funniest sitcoms in television history, Fawlty Towers.

And now for something completely familiar...

The Independent talks to the predictably anarchic Pythons in Manhattan.

Forty years ago this week, Nixon was withdrawing troops from Vietnam, Je T'Aime topped the charts and Concorde broke the sound barrier. And then for something completely different: the first episode of Monty Python's Flying Circus aired on BBC One. We never looked at comedy - let alone Spam, parrots or lumberjacks - in the same way again. This new film celebrates the anarchic troupe's Ruby Jubilee and marks the first time the surviving Pythons have come together for a project since 1983's The Meaning of Life. It's archly subtitled The Lawyer's Cut and those Beeb briefs have been busy because it's slimmed down from a six-hour series screened in the US (as Terry Jones says, "a record so complete and faithful to the truth that I don't need to watch it") to just 60 minutes. Directed by Alan Parker, it features new interviews with Jones, John Cleese, Terry Gilliam, Michael Palin and Eric Idle, as well as archive chat from the late Graham Chapman. All tell the story of how they met at Oxbridge and The Frost Report, created trailblazing television, made the transition into films and ultimately became a British institution. Which, like the Spanish Inquisition, nobody expected.

Mitchell and Webb Interview

As That Mitchell and Webb Look returns for a third series, its two stars tell The Telegraph that today's comedies are as good as anything from the Seventies, whatever John Cleese says.