Harry Enfield

We had a new comedy from Ben Elton, a phrase that's likely to strike fear into the hearts of any sitcom fan after the woeful The Wright Way. Thankfully Upstart Crow saw him back at his best although the show seems to have been made up of deleted scenes from Blackadder II. The show focuses on the life of Will Shakespeare (David Mitchell) as he splits his time between his family home in Stratford-Upon-Avon and his digs in London. As this was an opening episode, Elton seems to have focused on a universal subject matter namely the Bard's creation of Romeo and Juliet. In Upstart Crow though Shakespeare has all intention of having his young couple living happily ever after that is until he allows the lovelorn son of Sir Robert Greene (Mark Heap) to stay at his home until he goes to university. Unfortunately Florian (Kieran Hodgson) soon falls for Shakespeare's serving girl Kate (Gemma Whelan) and the Bard is forced to find a way out of a predicament that could cause him serious bother. Although you can see some of the gags coming a mile off, especially what will ultimately happen to Florian, Elton perfectly paces the show so that the gags never overpower the story. There's also a great running gag about the line 'Where For Art Thou' Romeo that is actually very clever and Elton also satirises the sexual politics of the time to great effect. Of the cast I found that Mitchell really anchored the action well as Shakespeare and his tortured academic persona really suited that of the Bard. In supporting roles I found Liza Tarbuck and Harry Enfield gave memorable turns as Shakespeare's wife and father respectively. Similarly amusing was the performance given by Dominic Coleman as the go-to performer of female parts who was hurt that he couldn't play the thirteen-year-old Juliet. Although there is the argument that a lot of Upstart Crow is just recycled Blackadder gags that's not exactly a bad thing as Elton's historical comedy still remains one of the best British sitcoms of all time. Whilst I don't think Upstart Crow will ever match Blackadder in terms of quality I still found it to be a consistently funny sitcom and a return to form for Ben Elton who I'd almost written off after the debacle that was The Wright Way.

Loving Ben Elton's new Shakespeare sitcom

There's no way of saying this without shredding the last vestiges of my critical credibility, but this new Ben Elton comedy series, Upstart Crow (BBC2, Mondays), about William Shakespeare: I'm loving it and think it's really, really funny.

Upstart Crow review

Gadzooks! After some high-profile flops in both hemispheres, Ben Elton has rediscovered his mojo... and all it took was a return trip to Elizabethan England.

There were more laughs in The Windsors than there were in the frankly bizarre Flowers. The Windsors comes from team behind the long-forgotten Star Stories and imagines the royal family as the stars of a Dallas-style soap opera. Obviously some of the jokes are quite obvious such as everybody fawning over Pippa Middleton's arse and Fergie (Katy Wix) being a complete embarrassment to the entire royal family. However there were some gems among the myriad of gags most notably the Middletons gypsy heritage which Kate (Louise Ford) is still proud of to this day. The bizarre soapy elements of The Windsors also lend a sense of ridiculousness to the show which is keen to demonstrate the fact it doesn't take itself too seriously. The main thrust of the plot is that Charles and Camilla (Harry Enfield and Haydn Gwynne) are worried that the line of succession is going to skip a generation as Wills and Kate are much more popular than they are. Camilla's plot to take down Kate by getting her to dress as a pirate during a military amputee ball was an inspired gag as is the central plot thread of the Duchess of Cornwall attempting to have another child. Other highlights included Harry (Richard Goulding) not being able to differentiate between the many blondes he's been linked to and Wills' (Hugh Skinner) need to become a helicopter pilot again. But my favourite characters was the frankly clueless sisters Beatrice and Eugenie (Ellie White and Celeste Dring) who attempted to start an online make-up tips business to make some much needed cash. Although The Windsors didn't always hang together it did a good job at both creating larger-than-life versions of our royal family and at the same time staying true to its soap opera spoof style. The majority of the cast looked like they were having a good time and I was particularly fond of W1A's Hugh Skinner's performance as the affable William who tried to balance his duty with his love of flying. In fact the only person who slightly spoiled the show for me was Morgana Robinson who, despite being a fine impressionist, was a bit out of place here in her role as Pippa Middleton. While nobody should go into The Windsors expecting the next big comedy hit it's good to have a bit of satirical fun on the box once in a while. Additionally I feel that Channel Four have definitely made the right decision by putting it on on a Friday

The Windsors, Channel 4, review

There's some mildly subversive satire in there if you look hard enough.

Super-silly sitcom about the royal family from the creators of Star Stories, Bert Tyler Moore and George Jeffrie. The gags bang and whoosh like a New Year's Eve fireworks display and W1A's Hugh Skinner is outstanding (and somehow even posher than before) as Prince William, backed up nicely by Harry Enfield as a mildly demented Prince Charles and Haydn Gwynne as a conniving Camilla. The result is quite joyfully daft throughout. Knighthoods all round.

I enjoy a cruel joke as much as the next person, particularly when it's aimed at the Establishment, but even I flinched at some of the gags in this new sitcom which mercilessly mocks the Royals. I may have flinched but it didn't stop me laughing, and it's surely a measure of brave satire if you feel a twinge of discomfort.

A furious Camilla wonders why Wills and Kate grab all the attention. Seeing yet another fawning headline she rages that "the Great British scum" will want to skip Charles and have William crowned instead. If only she could have a baby, she thinks, and upset the line of succession. But Charles, played by Harry Enfield, reminds her she's "not had a period since Wham! split up." Elsewhere, a tipsy Fergie gets mistaken for Mick Hucknall and we learn Kate is actually a Gypsy who used to battle Rottweilers in a Morrison's car park.

The jokes might be distasteful, but this is satire and the attacks are aimed at a family who're secure and pampered. They can take it, I'm sure. If not, they can always give up and get a real job.

Review: The Windsors

There are some neat, if not side-splitting, lines and enjoyably daft premises, but the show never really takes off. A lot of the scenes have a touch of the Spitting Image about them for sure - but what works as sketch doesn't necessarily sustain for a full narrative.

The Windsors - a real blast of punk comedy

I'm not bang up to date on treasonous acts and how to avoid them, but the writers and cast of The Windsors probably shouldn't expect an invitation to a Buckingham Palace garden party any time soon.

Preview: The Windsors

The Windsors isn't going to win any awards for subtlety and the writers certainly aren't going to win any knighthoods, but if you like seeing royal poshos royally sent up this should put a smile on your face.