I'm a big fan of sci-fi and fantasy comedy, but ElvenQuest has always come across as "good, not great". However, this new, fourth series started with an episode which could change my opinion...

For those unfamiliar with the series, it's a set in a Tolkien-esque fantasy world called Lower Earth, where a group of "Questers" are trying to find the all-powerful Sword of Asnagar. Two of the Questers are Sam Porter (Stephen Mangan), a fantasy writer from our world, and his dog Amis, who's transformed into a human (Dave Lamb). Both were sent to Lower Earth by the other Questers.

Elf leader Vidar (Darren Boyd), Dean the dwarf (Kevin Eldon), and warrior princess Penthiselea (Ingrid Oliver, though formally Sophie Winkleman) complete the cast.

In this opening episode, the Questers defeats some trolls in the kingdom of Premenstrua - ruled by unpredictable Queen Eleanor (Louise Delamere), who is celebrating her birthday and wants a present. The 'present' is the entire story of the Questers, which they must write up over the course of a single night on pain of death...

Probably the main reason this episode stood out was because of Sam, and how useless he is in comparison to the others. But by the same token, the characters are the main issue with the series.

Some of them are great - especially Lord Darkness (Alistair McGowan), whose cunning plans often get too cunning... and he's brought down by something simple like forgetting his keys. However, other characters aren't so well fleshed out. Penthiselea just seems like a typical fantasy, sci-fi heroine - somewhat violent and slightly sexual, but often just filling a gap because the writer thought they needed at least one woman in the story and they couldn't think of anything more imaginative.

If the writers manage to flesh out their creations more than this series could well be perfect. That's the only thing holding ElvenQuest back.

Katherine Parkinson (Mrs Pooter in Radio 4's new Classic Serial, wonderful in Channel 4's The IT Crowd) and Julian Rhind-Tutt (total star, even as the guest on Radio 3's Essential Classics) head a brilliant cast (Jan Francis, Peter Davison, Dave Lamb, Don Gilet) in this new comedy by Eddie Robson. It's about an English village, invaded for study purposes by aliens, the Geonin, who throw a heat cordon around it to stop anyone coming in or getting out. They'll soon learn about the Earthling inborn tendency to resistance.

This comedy panel show offers a fresh twist by having its contestants ask each other questions. Dave Lamb, now best known as the voice of Come Dine with Me[/i], acts as the show's "fact checker" in case of disputes. But it's all made rather non-combative by seating the panel in laid-back armchairs. After a pilot last May, it's now launching as a series, with Graham Norton, Sandi Toksvig and Marcus Brigstocke as guests and Armstrong as head prefect.

Dave Lamb axed from kids' show

Dave Lamb has been axed from narrating on children's show Waybuloo after just one episode - after an avalanche of complaints.

It's been a funny old year and Jason Manford and Alistair McGowan intend to milk it for laughs while they still can with a whole bunch of (mostly) family friendly topical gags that haven't had an airing yet on all those other topical comedy shows and are in danger of passing their sell-by date if they don't get used up soon.

Yes, it's Mock The Year, ITV style, with Phillip Schofield as host, plus a round-up of clips that made us laugh on the web - counted down by Come Dine with Me's Dave Lamb.

One comedian who had an excellent 2011 is Patrick Monahan, winner of ITV1's Show Me The Funny. He does well here, while we can only assume headliner Jason Byrne didn't get the email saying his material was supposed to be about 2011.

And don't miss tenor Alfie Boe with a performance that provides the best surprise of the night.

There are quite a few things to be said about this panel show pilot made for digital channel Dave. First of all, it's better than Compete for the Meat.

Hosted by Alexander Armstrong, the main hook of this show is that the panellists - in this case Robert Webb, Katy Brand and Griff Rhys Jones - have to come up with the questions and they score points if their opponents fail to get them right. It has already been described as QI without the researchers.

There were some interesting things that popped up during the course of the show, such as the fact that in Victorian times green dye contained arsenic, so people were being slowly killed by their wallpaper. Not all the questions were based on far-flung info through, as one round consisted of trying to come up with funny questions to ask famous people. There was one example by Webb towards Louis Spence which I won't repeat here, but I can tell you mentioned the f-word.

One aspect that grabbed my attention was Dave Lamb, who was in the show's "Fact Bunker" checking out all the answers, and who only appeared on a television inside the studio. The thing is, I reviewed his radio show last week, in which he played an agoraphobic conspiracy theorist, and now he's on a TV show with a studio audience, but not appearing in front of them in the flesh. Is this where he gets his ideas from?

In terms of intellectual comedy, I don't think you can top QI, but Big Ask is a decent attempt and is no doubt much cheaper, which is important to a digital channel facing competition from bigger broadcasters. On this show they don''need to spend money on researchers - instead they spend the money on electronic tablets for each of the panellists, because let's be fair it is a bit of bore just using your mouth.

Having said that, I still think that it was an entertaining pilot and I hope a full series comes out of it.

I have to admit this is the first time I have watched Horrible Histories, which is strange because I loved the books when I was a kid. Having watched the first episode in the new series it is clear that this is something I've grown out of, as sadly this show is not for me.

It is such a shame because it is clearly popular with both its target audience of children, with some adults, and with the people who decided to give it the British Comedy Award for "Best Sketch Comedy". However, for me much of it was just annoying. For example, one episode featured a Roman general trying to kill 5,000 people in battle so that he could get a parade, but the enemy surrendered after 4,999 deaths, so the general kills a Roman bureaucrat to reach the total. That is all right as an idea for a sketch, but then the general did this annoying beat-boxing at the end to celebrate reaching 5,000.

It wasn't the only thing annoying thing about the show. There was also a parody of the Adam and the Ants song "Stand and Deliver" telling the story of Dick Turpin, which just got on my nerves; all the way through the show little signs kept popping up saying things like, "This really happened!", which wound me up; and there was a sketch about a French prankster - although to be fair the character was deliberately meant to be annoying.

Also, this show also had quite a lot of jokes involving and seeing faeces. To be fair however, at least the sketch was teaching children about gong farmers (people paid to remove human waste) and tanners (people who used poo to make leather), whereas in Lead Balloon it just came out in one sudden unpleasant burst.

I suppose the way to conclude this review is that if you like it, good for you, because there is more to come. There is already a spin-off called Gory Games which features Dave Lamb as a co-host - interesting to see that he is willing to entertain children face-to-face but not adults. I'm guessing children are much easier to please.

Horrible Histories is also being re-worked for a primetime audience, with Stephen Fry acting as a host. However, I don't think even he is going to make me watch it. For me, this is a children's sketch show that the children can keep for themselves.

A new series for the superb historical show, which romped off with the best sketch show prize at this year's British Comedy Awards. It's an educational Blackadder for kids, and wonderfully written for a grown-up show, never mind juveniles. It has also spawned a spin-off quiz show, Gory Games, presented by Dave Lamb and a puppet rat. He even keeps score with an abacus. No bleepy, flashy nonsense here. Just historical questions and Crystal Maze-style games. It would have enthralled 20 years ago and is all the better for it. Hooray.

Like a more relaxed version of QI after sinking a couple of glasses of Pinot Grigio, this new panel show asks its guests not only to provide the answers, but also to dream up the questions themselves from various "random" topics.

The money they've saved on employing researchers to do this must have been spent on guests because Robert Webb, Katy Brand and Griff Rhys Jones all look very happy to plonk themselves on the comfy armchairs and trot out the bizarre facts they just happen to know about Brazil or Captain Cook.

The show also boasts Dave Lamb (the voice of Come Dine With Me), who is criminally underused here as the fact checker in an underground bunker.

This new Radio 4 sitcom is written by and stars Dave Lamb, who is most famous for doing the voice overs for Come Dine With Me, as agoraphobic conspiracy theorist Dave Railings - presumably Lamb did not want to bother having to act someone with a different name.

In this first episode, Dave's younger brother Jim (Jim North - again another person who seems unwilling to playing someone with a different name) makes friends with an Asian Geordie newsagent Hannan (Jess Robinson) and decorates a birthday cake for her son Alan (named after Shearer). However, Dave becomes convinced that the cake is actually a bomb planted by the Americans to kill masses of people to lessen the damage caused be peak oil.

Much of the humour is of the cringing sort. For example, when Jim learns that Hannan's husband is, "no longer with us", Jim exclaims with joy. Dave later asks young Alan is his father, "died with a... kaboooooom?"

The ideas that spring from this show are rather off the wall but nonetheless interesting ones. For example, in next week's episode Dave's post arrives on time, leading him to think his normal postman has been kidnapped by an alien.

However, nothing seems to be hugely laugh-out-loud, as was evidenced by the lack of belly laughs from the studio audience at the recording. Interesting, isn't it, that a sitcom broadcast at 11pm feels the need for a laughter track, whereas the CBBC sketch show Sorry, I've Got No Head which goes out at 5pm doesn't see the need for one (see last week's TV review)?