Press clippings Page 11
Dead Pixels: as addictive as World of Warcraft
You don't need to know your Azeroth from your elbow to enjoy this gut-bustingly funny new show.
Graeme Virtue, The Guardian, 10th April 2019Dead Pixels interviews
Alexa Davies, Will Merrick and Charlotte Ritchie, stars of new E4 gamer comedy Dead Pixels chat to us about their gaming experiences...
Louisa Mellor, Den Of Geek, 4th April 2019Dead Pixels, E4, review - gamers for a laugh
Witty sitcom about videogame addicts pits real life against fantasy
Jasper Rees, The Arts Desk, 29th March 2019Charlotte Ritchie interview
The actor, singer-songwriter and Fresh Meat star on the things that make her laugh the most.
Harriet Gibsone, The Guardian, 29th March 2019Dead Pixels generates comedy from gaming highs & lows
As if there wasn't enough good comedy on British television at the moment, with This Time, Fleabag, Derry Girls, Home and Timewasters currently on the air, Dead Pixels has now arrived to win laughs from the world of gaming.
Sophie Davies, The Custard TV, 28th March 2019Charlotte Ritchie joins BBC1 comedy Ghosts
Fresh Meat star Charlotte Ritchie is joining the cast of BBC1's spooky new comedy Ghosts.
Radio Times, 20th November 2018The 50 best podcasts of 2018
From Julia Davis's dark comedy Dear Joan to track-by-track teardown Dissect, Marc Maron to Meat and beyond, here are this year's finest audio offerings.
Hannah J Davies, Hannah Verdier and Harriet Gibsone, The Guardian, 30th June 2018Review: The Philanthropist
The opening scene of The Philanthropist is ingenious, and provides a genuinely shocking comic moment that I'm unlikely to ever forget. So it's a shame that the rest of the play never really lives up to these first few minutes.
The Velvet Onion, 20th May 2017Charlotte Ritchie to star in All 4 comedy Working Girl
Charlotte Richie is to star in Working Girl, a comedy project in development with Channel 4's online platform, All 4. The show has been revealed as creative agency The Wagon launch a comedy slate.
British Comedy Guide, 27th April 2017The Philanthropist review
Across the board, supposedly soul-searching scenes often come to sound more like shallow, self-centred millennial whines than the intended existential angst.
Steve Bennett, Chortle, 27th April 2017