Vic Reeves

Vic & Bob's Afternoon Delights: a self-indulgent joy

As Vic Reeves and Bob Mortimer's new sketch show launches online, it's a delight to see them messing about together again.

Vic and Bob raise a cheer with Afternoon Delights

Following on from its partnership with Steve Coogan, which produced some acclaimed internet shorts featuring Alan Partridge, corporate comedy sponsor Foster's is about to unleash Vic Reeves and Bob Mortimer's Afternoon Delights on the web.

Video: Simon Day talks about getting his big break

Simon Day say his fortunes changed when he won a stand-up comedy competition and was spotted by comedians Vic Reeves and Bob Mortimer.

Simon Day: Vic Reeves helped me get my big break

The Fast Show's Simon Day talks to Metro about breaking into comedy, the complexities of drug addiction and why a thousand Scousers once told him to 'f*** off'.

The Fun Police recording report

Yup, a new studio-based sitcom - although billing it as a Vic Reeves-led vehicle turned out to be quite misleading. Despite taking over 3 hours to film this 30-minute pilot, I'd wager that Reeves would probably appear on-screen for less than 4 minutes.

Vic Reeves puts 250 artworks on sale

A collection of 250 artworks by comedian Vic Reeves is opening ahead of an auction he hopes will make some space at his Kent home.

Shooting Stars snub for "dim" Louis Walsh

Wacky quiz show Shooting Stars will return for a new series - but hosts Vic Reeves and Bob Mortimer have barred Louis Walsh from reappearing for being "dim".

Say what you will about BBC Drama, they do a very nice line in showbusiness biography. Written by Peter Bowker and based upon an idea by Victoria Wood, Eric and Ernie, exploring Morecambe and Wise's formative years, was one of the best I've seen.

The casting was spot on. Daniel Rigby and Bryan Dick were not just vocally and visually uncanny as the duo, they captured every mannerism and even reproduced their comic timing. Most remarkable of all, their recreation of Eric and Ernie's stage act came over as fresh and genuinely funny.

To see the two great comedians resurrected so comprehensively was almost sufficiently thrilling, but it would be a shame to allow the virtuosity of Rigby and Dick's performances to obscure a beautifully crafted, poignant, witty and gentle drama about friendship, family and showbusiness struggle.

"Big head, short legs" was the young Eric's initial reaction on meeting Ernie Wiseman, already a star on the West End stage and celebrated as "Britain's Mickey Rooney". But from inauspicious beginnings a firm friendship grew, out of which sprang their double act.

Victoria Wood played Eric's pushy mum Sadie, vicariously revelling in her son's onstage success, with Jim Moir - you know, Vic Reeves - as her long suffering and overlooked husband George.

As the untold story of the formative years of Morecambe and Wise, Eric and Ernie (BBC2, New Year's Day) ran the risk of telling you more than you ever wanted to know, or of drawing too heavily on the national stockpile of affection for the famous double act. And it came sandwiched in the schedule between the duo's 1976 Christmas special and a documentary about them, so that, even if you'd never heard of Morecambe and Wise, you were guaranteed to be sick of the sight of them by bedtime.

Under the circumstances, Eric and Ernie proved a small triumph - a standalone drama that was never hidebound by its subject. It was by turns charming, moving and disturbing. There is something distinctly creepy about child performers, and Eric and Ernie's partnership stretched back to boyhood, when they toured together during the war, staying in digs during blackouts and, yes, sharing a bed.

Daniel Rigby managed to portray the young Eric Morecambe in a way that was more embodiment than impersonation - occasionally it was a little bit freaky - while Bryan Dick deserves credit for finding the grim application behind Ernie's bland sunniness. Victoria Wood was marvellous as Eric's pushy stage mum; and Vic Reeves (here billed as Jim Moir), who always bore more than a passing resemblance to the adult Morecambe, was an inspired choice to play his dad.

I can't imagine anyone's enjoyment of this being coloured by prior knowledge of the facts, although I can only speak on behalf of the utterly ignorant. The untold story of Morecambe and Wise turns out to be well worth the telling. A clever script illuminated the contrast between the compulsively wise-cracking Eric and the more sober Wise. They were even, when necessary, plausibly funny. I wouldn't go so far as to call this dark, but it was by no means uniformly light-hearted, and the manginess of the postwar variety circuit was nicely evoked, as was the late-50s BBC hierarchy that spawned the pair's first, dismal, and nearly career-terminating small-screen venture, Running Wild. One review contained the line, "Definition of the week: TV set - the box in which they buried Morecambe and Wise." Whoever came up with that has a cheek calling anyone else unfunny, but that's a risk TV reviewers occasionally run.