Tamsin Greig

Radio Times review

Having set an unreachable standard in the previous two episodes, Reece Shearsmith and Steve Pemberton ease off a bit here, delivering a tale that's as brilliantly acted and constructed as you'd expect, with several sublime moments - but no knockout blow.

Tamsin Greig plays a friendly but efficient representative of a charity that makes wishes come true for terminally ill children. She brings an Enrique Iglesias-ish pop star to a suburban house. When the visit goes wrong, she and the dying girl's parents (Pemberton and Sophie Thompson) are tempted to take advantage. It's a slight, silly story that can't go anywhere and doesn't. Flawless execution rescues it.

The grotesque and toe-curling is usually just below the surface where Steve Pemberton and Reece Shearsmith are concerned. In The League of Gentlemen, the fictional town of Royston Vasey - slogan "You'll never leave!" - was sinister in every way, but in this series of one-off tales about houses numbered nine, the cast, characters and setting change from week to week, which allows Pemberton and Shearsmith to demonstrate their formidable talents as writers and actors, and keep their audiences guessing.

Now both in their mid-40s, they 
are at the top of their game. While some of the stories properly give you the creeps, others are just black comedy, 
but there is always a twist. When 
they hit the bullseye, as in the second episode - a silent comedy in which the duo played two hapless thieves tiptoeing around a house occupied by a wealthy 
art collector - they achieve something close to comedy genius.

So what are we in for this week? We meet Tamsin, a little girl who is very unwell. She lives with her parents Jan and Graham in an ordinary 1960s semi and when her birthday comes around, mum and dad want to do something to give her a boost. So they contact a charity called WishmakerUK to arrange a special guest to attend Tamsin's party: Jan's hero, the singer Frankie J Parsons.

The occasion brilliantly captures the sheer unctuousness of fandom. There's Jan in her beige slacks and prim 
lilac jersey, going all giggly and 
high-pitched in the presence of a Beverley Hills tan and a set of highly polished American teeth. Frankie has brought with him an unsmiling flunky with a bluetooth ear piece and is 
escorted by Sally (Tamsin Greig), the groomed PR officer from the charity. It's smiles all round.

But then things take an unexpected turn, in a way that exposes the venality and base instincts lurking behind 
all those fake grins. At the centre of it all, looking worldly and disappointed with the human race, is nine-year-old Tamsin.

Steve Pemberton and Reece Shearsmith focus their demonic gaze on celebrity worship and human greed. Tamsin Greig runs an outfit that makes dreams come true for sick children. If a little boy with cerebral palsy wants to play chees with Noel Edmonds, she will organise it. Here she arranges for the pop star Frankie J Parsons to come to the birthday party of a terminally ill little girl. After blowing up a balloon, he keels over - and the balloon filled with his dying breath is worth far more than the kidney stone sold by William Shatner for $25,000. "That's sick!" explains the appalled mother (Sophie Thompson). "The world is sick" replies her husband (Pemberton).

Radio Times review

Stephen Fry and Daniel Rigby return for a new series of the gay equine epistolary romance, set in the Napoleonic War. Fry's hearty voice is perfect for the French stallion Marengo, while Rigby is the more camp, hysteria-prone English steed Copenhagen.

Introduced by Tamsin Greig, this week's letters include the famous words of Abba "at Waterloo, Napoleon did surrender" spoken with knowing deadpan by Daniel Rigby, who shot to fame when he beat both Matt Smith and Benedict Cumberbatch for the 2011 best actor Bafta for his role as Eric Morecambe in the BBC drama Eric and Ernie, but is now playing the geeky Simon in the BT advertisements!

Tamsin Greig: Black Books, Green Wing and now crime

Ten minutes into our interview, Tamsin Greig wants to know something. "Do you like police dramas?" she asks casually. It's a bit of a loaded question really, as the whole reason we're talking is that she is about to star in The Guilty, a three-part ITV police drama that could well be the new Broadchurch. I suggest that everyone likes police dramas and she nods thoughtfully.

Tamsin Greig: I was 'very serious' before comedy career

Tamsin Grieg feels that her comedy career has overshadowed her dramatic prowess.

In praise of ... Tamsin Greig

She is a rarity: a successful 46-year-old woman in a field that often fails to provide decent parts for middle-aged females.

Tamsin Greig: 'I'd love to play Cleopatra... just ask me'

On her return to the stage, the star of Green Wing talks about ageing, her love of London, and what her kids think when waiters call her 'Sir'.

Series two provided little respite for downtrodden British writers Sean and Beverly as they fought to keep their sitcom - and marriage - alive whilst all around them in La La Land were losing their heads. It didn't help that Beverley (Tamsin Greig) had slept with the show's star Matt LeBlanc (Matt LeBlanc), or that Sean (Stephen Mangan) was now sleeping with the female lead. The second season of Episodes continued to offer a smart, funny, hyper-real story of 'normal' people trying to make it in Hollywood.