Mathew Baynton

It's no secret that many alleged "grown-ups" are supplementing their haphazard history educations with CBBC's Horrible Histories, back for its fifth series with lovely, daft input from The League of Gentlemen. Tiny, mighty Sarah Hadland from Miranda and funny, clever Alice Lowe, writer of Sightseers are regular faces too. To adult eyes, Horrible Histories has the distinct feel of a group of bright, young, erudite, writery-actory sparks having a tremendously good time. One that they probably wouldn't be permitted to have anywhere else on telly.

Kids love them as they are the most peculiar sort of grown-ups. The sort of wonky uncles and aunties who turn up to tea with mild hangovers, scant regard for etiquette and a host of stories about idiot highway men, Second World War bat bombs (bombs attached to bats, prone to exploding before they left the American base) and an imaginary CD compilation called Now That's What I Call Spartan Warrior Music.

There's something about the Horrible Histories gang I find terrifically, stupidly, funny. They're the best bits of Monty Python, Roald Dahl, Tiswas, BBC2's The Tudors and The Young Ones all shoved into a bin and bashed with a stick. "Divorced, beheaded and Died! Divorced, Beheaded, Survived!" is the song that carousels in my mind whenever anyone mentions Henry VIII. Horrible Histories drummed the order of Henry's wives and their fates into my mind where A-level cramming failed forlornly. If only Mathew Baynton and Ben Willbond had shown up at my school in the Nineties and sung a few songs about the fall of the Holy Roman Empire, I could have a proper job now. Not just writing down stuff I think, drinking Earl Grey and taking Yodel deliveries in for neighbours.

We don't need writers. Not in the sense that we need farmers, plumbers or even estate agents. Consequently, many of history's greatest wordsmiths - all of whom had bills to pay - put their literary flair to some surprising uses before finding success.

Ian Leslie presents this new comedy show uncovering the surprising nine-to-fives of our literary idols' formative years. With Mathew Baynton and John Finnemore among the guests, the show exposes the bizarre early writings of extraordinary authors and poets, from Jilly Cooper's abortive foray into war reporting to Hunter S Thompson's unlikely stint in customer relations for a major American airline.