Johnny Vegas

There's a great cautionary tale for people wishing to sell their home in this witheringly funny attack on the cult of interior design from Johnny Vegas, Stewart Lee and Rob Thirtle. Never, ever show prospective buyers the post-castration scene from arthouse film Farinelli il Castrato. It will put them off.

Vegas stars as Jeffrey Parkin, an overbearing design obsessive, showing buyers around his home, a turn-of-last-century semi with original features and sympathetic updates. While the play's comic starting point is built upon as Jeffrey bumptiously details his "improvements" and design for living - including a bespoke pan rack based on sketches of the Humber Bridge - the tone shifts to reveal the emotional cracks hidden beneath his tasteful exterior. The message is, it's not home interiors that matter, it's human interiors.

This Afternoon Play had Johnny Vegas stamped all over it, the way he goes full throttle, his voice coming in stops and starts as if being squeezed from a near empty toothpaste tube, and then there is the dip as he comes to the darkness and futility that is often his pay-off line.

Interiors was a satirical and unexpectedly touching drama about property-owning during a financial slump and how homes can reflect broken lives.

Vegas, along with Stewart Lee and Rob Thirtle, is credited with having written the original play on which this production, directed by Dirk Maggs, was based, implying alterations to the original. As Vegas clearly enjoys and understands radio drama acting, with a track record stretching from The Ragged-Trousered Philanthropists to Shedtown (whose first series is now being repeated), these tweaks to the script will have been more sensitive than those carried out by his character, Jeffrey Parkin, to the home he wants to sell.

Parkin does the en-masse viewing himself, full of empty bombast, playing to the gallery, which, if he had one, would be half-finished like everything else in the house. He issues a spluttering critique of TV property shows, a wheezy indictment of his erstwhile wife's taste in flat-packed furniture. Then, the vanity of the home-owner, once mired in the certainties of his own taste, crumples. Standing in his botched house of smashed dreams, he admits that he has wasted his energy on things that don't matter.

While this was mostly a one man tour-de-force, a cast of six actors played the viewers, a whispering, embarrassed Greek chorus, who were given few lines but whose presence is palpable.

Once again we come across another example of a great comedy programme that is only on in Scotland (thank goodness for the iPlayer). Late 'n' Live Guide to Comedy is a six-part documentary series about the Late 'n' Live comedy show at the Gilded Balloon venue during the Edinburgh Fringe.

For those who don't know, this is a series of late night stand-up shows featuring several comedians performing on stage in front of an audience who are usually loud, drunk and willing to heckle at any given opportunity. To quote Jenny Eclair, the greatest error made when you're try to avoid heckling at Late 'n' Live is when "you make the mistake of breathing," and thus leave a short enough pause for someone to shout: "Fuck off!"

Other than learning about the history of the late-night show, the best thing about this documentary is watching some early stand-up performances by famous names. These include Johnny Vegas encouraging his audience to throw coins at him while he sang and Russell Brand in 2001, who at the time had only performed between 20-30 gigs. His stand-up involved deliberately angering and provoking the audience - what a surprise. But this lead to a storm of abuse and Brand getting an encore.

During the encore someone tried to throw a glass bottle at him. It missed Brand, but a shard landed in the leg of the next act, Fiona O'Loughlin, meaning she was bleeding when she went on stage...

This splendid little series of comic shorts moves on to a semi-autobiographical gem written and directed by Johnny Vegas. Here, we meet the teen incarnation of Johnny, who, because of his girth, is asked to dress up as Santa at the church hall after his dad fails to fulfil ho-ho-ho-ing duties at a very grotty grotto.

Comedian Tommy Cooper was regularly credited with the ability to be funny without actually having to do anything. At 6'4!, with messy hair and a red fez on his head, he certainly looked the part. Using previously unseen footage, plus details from the diaries of Cooper's manager Miff Ferrie, this documentary provides a portrait of the troubled comedy giant, who died in 1984. Contributions come from Johnny Vegas and Damien Hirst.

It was only a matter of time. A Charles Dickens comedy-adventure mash-up had to happen, and what better timing than now, in the warm-up to our annual pre-prandial sit-down to A Christmas Carol? I'm only surprised that zombies didn't feature. As it turned out, zombies weren't required. The first of the four-part series, The Bleak Old Shop of Stuff, wove together characters and plotlines from Bleak House, Great Expectations and The Old Curiosity Shop, along with a star cast and a sparkling script to make for an entertaining spoof.

If the names of the characters sounded a little contrived at first, a sharp script and perfect casting quickly allayed fears. Robert Webb played the hapless Pip-inspired adult orphan, Jedrington Secret-Past, searching for just that; Katherine Parkinson charmed in her role as his wife-turned-"treacle junkie"; Johnny Vegas turned up as a noble street urchin and Celia Imrie's variation on Miss Havisham (Miss Christmasham) was a winning one. Even Stephen Fry managed to play not yet another version of himself as the baddie, complete with protracted evil laugh. He played the lawyer who repossessed Jedrington's shop and threw his wife and children into a debtors' prison, setting off a plot of Dickensian twists and turns in which novels converged, coincidences occurred and long-lost mothers, lovers and children re-united.

The script, written by Mark Evans, who has previously penned a Radio 4 "comedy", Bleak Expectations, had that rare double-edged agility to appeal across generations. It was both cute and clever, so youngsters got an action-filled plot with Jedrington's children delivering some corking lines, while adults got Dickensian cross-references and literary satire. The wordplay and visual jokes must have tickled both. As we brace ourselves for a fair share of anodyne viewing over the festive period, this breathes life back into the family entertainment genre by actually doing what it says on the tin. Let's hope it maintains its momentum for another three episodes.

Looking a little like that Blackadder Christmas special set in Dickensian London, except with CGI backgrounds and ludicrous special effects, The Bleak Old Shop Of Stuff was a very odd thing. After no time at all you'd already been whacked with multiple gags - at an estimated rate of one throwaway line per demi-minute - to the point they were coming at you so fast, there was no time to discern whether or not a statue of the Duke of Wellington carved from pineapple or a 'jam spaniel' were funny or not. The hit rate was far from perfect, but with such a rampant flurry of wilful stupidity, it was hard to feel cheated.

The story, which ultimately rambled into near-incoherence, saw Robert Webb as Jedrington Secret-Past (silly names were par for the course), pitted against Stephen Fry's evil lawyer, Malifax Skulkingworm, effectively a Melchett-esque villain who was out to bankrupt him over a debt his grandfather had worked up in the distant past. Katherine Parkinson put in a decent turn as Jedrington's treacle-addicted wife, and there were also cameos from the likes of David Mitchell as a workhouse owner who inexplicably inflated every time he got excited. And Johnny Vegas showed up for no real reason too.

This was written and crafted by the people behind Radio 4's Bleak Expectations, and that radio link was clear to see. This was obviously a transfer of sorts, with the kind of script that would work perfectly on radio, with all those strange descriptions of things like 'treacle-fiends' and Big Ben's cousin, 'Tiny Terry' firing the imagination with their idiotic simplicity. Transferring such silliness to the small screen was always likely to be a risk, but despite The Bleak Shop of Stuff possibly sitting on just the wrong side of silly, it still managed to raise a few chuckles. Those who revel in silliness pushed to its absolute limits will doubtless find themselves in seventh heaven.

Fans of BBC Radio 4's cult ­Dickensian spoof Bleak ­Expectations will be delightified at the news that Mark Evans has penned a Christmas special for TV.

The Bleak Old Shop Of Stuff - the first of a four-parter - is a brand new story but a very familiar one that's stuffed with those essential Dickensian staples - flinty-hearted lawyers, grubby-faced urchins bursting into song, cobwebby spinsters, suggestive surnames and the spectre of debtor's prison, known here as The Skint.

Robert Webb stars as the kindly Jedrington Secret-Past - owner of The Old Shop Of Stuff. But his hopes for a happy Christmas with his loving family are shattered by the arrival of evil lawyer Malifax Skulkingworm (Stephen Fry), a sinful man in an unusual hat demanding an unpaid debt that will be his ruin.

The cast includes David Mitchell as an exceedingly jolly man, Johnny Vegas (already a veteran of the BBC's adaptation of Bleak House), Katherine Parkinson, Celia Imrie and Pauline McLynn - as well as a small but pivotal role in every sense for young Jude Wright from Sky's recent sitcom Spy.

TV provides the opportunity for the kind of visual sight gags and special effects that radio doesn't and they've really gone to town creating a virtual Victorian London.

Purists might argue that it's funnier on the radio when your imagination is left to supply the pictures, but this still serves up a splendidly silly start to the Christmas week.

Sheridan Smith, Jane Horrocks, John Bishop and Johnny Vegas are among the stars appearing in a week-long series of short autobiographical comedies. The season opens with Barbara Windsor, who recalls an embarrassing teenage encounter with a wardrobe mistress and a subsequent trip to buy her first bra. Also tonight, Jack Whitehall's story tells of a flamboyant 10 year-old who liked to dress up.

Johnny Vegas blasts BBC3 exec over 'Ideal' axe

Johnny Vegas has hit out at BBC Three controller Zai Bennett over the axing of his sitcom Ideal earlier this year.