Bob Mortimer is one of the funniest men alive, so don't miss the opener to this new series of the comedy panel show. He and fellow team members Lee Mack and Debbie McGee try to pull the wool over the eyes of wily opponents David Mitchell, Dion Dublin and Lucy Porter under the beady eye of host Rob Brydon.

Ali G vs Trump - and other inspired spoof interviews

Fifteen years ago, when Donald Trump was merely a business tycoon and not the most controversial US president since Nixon, he found himself face to face with Sacha Baron Cohen's cult comedy alter-ego: aspiring UK rapper Ali G. Now that Diane Morgan's Philomena Cunk is currently rekindling the trend for spoof interviews, we look back at one of the best.

'The thought of Les Dawson coming back as a hologram fries my tiny mind,' was probably the weirdest sentence I heard on TV all weekend. It arrived courtesy of Russell Kane, standing in as a rented talking head on Les Dawson - An Audience With That Never Was (ITV).

I had to check that this wasn't one of Charlie Brooker's Black Mirror futuristic dramas because there, on the screen, was the hologrammed Dawson cracking gags as if he was still alive - he died 20 years ago at the age of 62 - while the camera kept cutting, in time-honoured Audience style, to chortling minor celebs in the present day. Debbie McGee, Lorraine Chase, you get the drift.

It was deeply odd. Dawson had been two weeks away from filming his Audience show when he died and this was a well-intentioned way of paying tribute to an old-school comedy great.

But the long-shot hologram sequences of Dawson in action felt uneasily like you were watching him cracking jokes at his own funeral. The Q&A was a belter, mind.

Les Dawson: An Audience with That Never Was (ITV) was a not-terribly-snappily titled tribute, timed to mark the 20th anniversary of the much-loved comic's death. It told the story of the TV special Dawson was a fortnight away from recording when he died and attempted to recreate it using a 3D projection. The hologram was billed as "staggeringly realistic" and perhaps it was if you were in the same room. On TV, it merely looked like a cut-out image of Dawson wearing an unnaturally bright blue jacket and a low hairline, standing strangely still and occasionally moving jerkily.

Instead this was a glorified clip show. Venerable figures like Bruce Forsyth, Cilla Black and Ken Dodd sat in beige hotel suites, going misty-eyed over their memories. The celebrity audience watching the hologram's performance were noticeably one notch below - more the level of Debbie McGee and Lionel Blair. And those were two of the more familiar faces. Despite the presence of Dawson's widow and daughter, who were visibly moved, this still felt like a macabre cash-in. A tribute to Dawson would have been fine without a shoddy attempt to "bring him back to life".

The show was rescued by Dawson himself, whose wit rang down the decades. He rattled out mother-in-law gags and gurned with that rubbery bulldog face. We heard how he was an accomplished musician and frustrated poet, hence his artfully off-key piano-playing and relish for florid language. Best of all, there were copious clips of his "Cissie Braithwaite and Ada Shufflebotham" routines with Roy Barraclough, the cross-dressed pair gossiping like fishwives and silently mouthing more "delicate" words, before hitching up their ample bosoms. Cissie and Ada really were three-dimensional.

Video: Paul Daniels and Debbie McGee at the fringe

The magician talks about wife Debbie McGee's shoe collection, his Edinburgh Festival show and a 20 month-old heckler. He even has time for a trick.

Video: Paul Daniels and Debbie McGee interview

Currently starring at the Edinburgh Fringe 2011, legendary magician Paul Daniels and the lovely Debbie McGee talked to STV about why the capital has "the best festival in the world".