David Mitchell (I)

Peep Show - They're still worth spying on

Six series on and Mark and Jeremy are the same old losers, living in one another's pockets. That's the secret of Peep Show's success, David Mitchell and Robert Webb tell James Rampton.

Lots of things we can't decide about Shooting Stars. Was it actually better than this, or did it have the same funny only fresher? Is Vic ill or just much older than he claims? Is the bullying of Ulrika just misogyny? Is anyone actually going to be converted to liking it or is it like going to one of those Jesus And Mary Chain reunion gigs, solely for the benefit of their own generation? Is there really nothing new that could have been better? Why isn't David Mitchell on it? Why are we complaining when it could have been Horne And Corden?

How vividly we remember when and where we hear special things on the radio, staying in a car to hear the end of a football match, being in a garden and braving hay fever not to miss a word of a play. Six Augusts ago I remember walking round the Italian Garden in Hyde Park, listening to the very first episode of That Mitchell and Webb Sound and laughing so much my glasses steamed up and I couldn't see the fountains.

They were just starting off in Channel 4's Peep Show then but had been around on the comedy scene long enough to have established their act and attracted the BBC. Radio's tiny cheques (but careful fostering) helped them to a BBC TV series. As with Dead Ringers, however, radio fans who followed them found the same jokes but with pictures, slower, still funny but not exactly fresh. Last Tuesday evening they began their fourth Radio 4 series and it was simply brilliant.

Twelve sketches, written by an encyclopaedic list of writers, lit up the air. Caesar, with a spin doctor. The iReckon, a device to enjoy the thoughts you want in the order that suits you. A reprimand to employees for using their extraterrestrial portal as a dustbin ("What must the aliens think of us?"). A parody of an interview where there's nothing to say but they won't be let go until they say what the producer wants. Parodies of TV ads and BBC formats. A look forward to 2040 and Sky BBC12. Their rapport with the studio audience is remarkable, their supporting cast is first-rate. Will I mind if all these jokes turn up again on television? Not really. If it were the other way round, TV first, I would.

Peep Show? Brilliant. David Mitchell on any of the roughly 795 radio and TV panel games he's adorned with his presence? National treasure-in-waiting. But if his reputation rested on his TV sketch shows with Robert Webb, the two of them might well be known as the Anna Kournikovas of comedy: famous, but useless at the thing they're famous for.

The problem with the sketches in That Mitchell and Webb Sound (which the lads mostly write), as opposed to Peep Show (which they mostly don't) is that they're clever but not very funny, a slight handicap for a comedy programme. Each situation is replete with comic possibilities and progresses with savage twists of absurdity. It should be drop-dead hilarious. It's the kind of thing, though, you watch with an expectant grin - but no belly laughs.

So I listened to the new series of the radio version with some trepidation, but although not everything was a palpable hit, there was enough to be going on with. Some of the ideas were spot-on, such as the orthopaedic suppliers with an inter-dimensional portal on the shop floor ("gentlemen, the stargate is not a bin"), or the iReckon, Apple's new gadget ("I can download all my thoughts from the internet!"). And Caesar being coached in referring to himself in the third person was pure The Two Ronnies.

Radio Review: That Mitchell and Webb Sound

Mitchell and Webb are back on the airwaves, and very funny with it, says Elisabeth Mahoney.

Good to have them back on radio in a sketch show. Mitchell on his own as a game show host has not exactly proved a whizz though Webb, as a fine performance in a Friday Play on Radio 4 showed, is a very good actor. But together they're funnier than anything in this slot has been for months (not difficult, I grant you) because, combined, they achieve and maintain genuine momentum and their taste in scripts is first-rate. I only hope when you read this you haven't heard the same bit trailed so often you'd rather expire than listen.

The best bit this week is David Mitchell's sort-of impression of Jodie Marsh (she's a "glamour model", the one who isn't Jordan). Of course Mitchell is ill-equipped even to approximate Ms Marsh's two famously overblown assets, but he does a very decent career precis of the big-bosomed one's raison d'etre, albeit delivered in his exasperated A-level history teacher's voice. It's pretty much down to captains Mitchell and Lee Mack to keep things going, with some lacklustre guests. Jimmy Carr is impossible to like; Terry Christian is clearly baffled and well aware that he's out of his depth, to the point that you might end up feeling sorry for him; and singer Jamelia yet again inexplicably turns up on a TV panel show. Host Rob Brydon helps the show bounce along as he referees the arguments and interrogations: was Christian interrogated by police hunting a jewel thief? And did comedian Marcus Brigstocke work as a podium dancer?

That Mitchell and Webb way

In this extract from the brilliant forthcoming This Mitchell and Webb Book, the award-winning comedy duo offer their opinions on the important things in life - old-man pubs, bad service and the futility of searching for a decent cup of coffee.

How nice to see that, despite an increasing television profile for their sketch show, David Mitchell and Robert Webb have not turned their back on Radio 4. This new six-part series also includes something that was dearly missing from the last TV series - the effortless comic delights of Olivia Colman.

Would I Lie To You? Review

"I'm going to hate this aren't I?" bristled David Mitchell as new host Rob Brydon prepared to recite from the Cockney Bible. But raising the hackles of the amusing Mitchell is one of the conceits that Would I Lie To You? relies on to thrive and survive.