Julie Walters & Maxine Peake reflect on Victoria Wood

A year after her death, Wood's contemporaries pay tribute to the comedy legend in Our Friend Victoria.

Julie Walters and Maxine Peake reflect on their friend

A year after her death, Victoria Wood's contemporaries pay tribute to the comedy legend.

The last in the series finds the famous "going for an English" sketch from Goodness Gracious Me dissected by, among others, Meera Syal, who helped to create it. Then an impressive haul of celebs, including Nigel Planer, David Baddiel, Ricky Tomlinson, Maxine Peake, Diane Morgan, Russell Tovey and Josie Lawrence, discuss everything from Spaced, The Day Today and Blackadder to Till Death Us Do Part, all in Gogglebox style.

Victoria Wood's talent 'petrified' young Maxine Peake

Maxine Peake regrets not getting to know her "inspiration" Victoria Wood better before her death earlier this year, the actor has revealed.

The Comic Strip trains its eye on the hacking scandal and manages to get a decent smattering of its shots on target. This, like many of the alternative comedy group's recent specials, is a hit-and-miss affair, but does feature a brilliantly savage portrayal of Rebekah Brooks from Maxine Peake, and some very funny digs at us pinko liberals at the Guardian.

Red Top, the latest outing for the once splendid Comic Strip team, and we won't begrudge them a certain resting on ancient laurels, was an altogether mixed bag, as Peter Richardson and co gleefully ran rings round lawyers to bring us the purported tale of phone hacking and the Met, Rupert M and Tony B and Rebekah Brooks (played with peppy malevolence by Maxine Peake), set with a certain bizarreness in the 70s. Much was shambolic, missing easy marks. Wendi Deng as pastiche of Chinese sex ninja? But Johnny Vegas was great as the tabloid sleazehound turned Deep Throat, and there was great guilty joy at seeing Lewis Macleod as The Guardian's ex-editor Alan Rusbridger, played as a lisping, patronising Chris Biggins in a yachting cap and mincing below a banner reading "Never knowingly enjoy yourself". And the gang still managed, rather subtly, to skewer Brooks's implausible juxtapositioning of a reputation for micromanagement with that breezy verdict that said she knew nothing of phone taps.

The Comic Strip Presents... Red Top, saw some of the brand's original cast members including Nigel Planer and Peter Richardson appear beside some new recruits. These new recruits included Maxine Peake who took the lead as disgraced News International boss Rebekah Brooks in this retelling of the phone-hacking scandal that was written like it was set in the 1970s despite its many modern references. Peake provided the narration from Rebekah's own point-of-view painting herself as a naive Northern girl even though all of her co-workers thought differently. The action played out over 75 minutes and shot at many targets including The Guardian, David Cameron's attempts to become prime minister as well as the whole phone hacking scandal itself. But despite its satirical edge, I found that Red Top was quite scattershot in its approach and the script never really hung together that well. There were some elements of the programme I liked namely Russell Tovey's turn as Andy Coulson and his relationship with a stereotypical Sun journalist played by Johnny Vegas. Vegas' kind hearted reporter was eventually revealed to be the man who exposed the whole hacking scandal and the references to the Watergate Scandal were actually quite amusing. Even though it didn't really fit into anything else in the piece, I also quite liked the fact Red Top's portrayal of Tony Blair as a new-wave hippy who'd reinvented himself as a musical God. In a lovely bit of continuity Blair was played by Stephen Mangan who'd previously portrayed the former PM in The Comic Strip's last outing. However I do feel that the negatives outweighed the positives as I found a lot of the gags a bit obvious for example Wendi Deng's drugging of Rupert Murdoch in order for her to have control of his empire. Additionally I didn't feel some of the famous faces necessarily needed to be part of the story and this was particularly true in regards to Harry Enfield's Ross Kemp whose participation in the piece was minimal at best. But my main issue with Red Top was that the central joke about Rebekah Brooks' innocent outlook on events wore thin by about the halfway point. This is a shame as I believe that Peake did a good job with what she was given but I do feel that the material let her down to an extent. Overall I think that Red Top had some interesting elements but will ultimately go down as a rather forgettable entry into The Comic Strip collection.