In praise of​ Big Train

A tribute to the underrated 90s sketch-comedy gem.

Review: Funny Cow

Maxine Peake captivates in a film that takes a serious look at being funny.

Jo Brand's Damned is back on our screens; a sitcom whose first series I watched but struggle to remember any memorable moments. Brand writes the show alongside co-star Morwenna Banks and The Thick of It's Will Smith whilst also starring as Rose; the hapless social worker who spends most of the episode dealing with a shoe soiled by her family's new puppy. This week's episode was based on a tip-off the team the received which saw Al (Alan Davies) investigate the case of a sex-worker who was seeing clients whilst her two children were in the house. Rose and Al believed her children were truanting although the investigation later revealed that Elena was working to put her kids through private school. This story was an involving one, especially the conclusion which saw Elena's children taken from her despite Al's belief that she was a good mother. However, it didn't fit in with an episode which also saw Rose dealing with dog faeces on her shoe and the newly-promoted Martin (Kevin Eldon) making vegan fudge for his colleagues which was predictably inedible. Unlike her previous caring-focused comedy Getting On, Brand struggles to incorporate the gags in Damned with the darker elements of the plot such as the investigation into Elena and her children. I think this is because the jokes are more obvious in Damned and it's almost as if Brand, Smith and Banks feel that they have to create lowest common denominator humour for the Channel 4 audience. This is a shame as Damned is a sitcom that I want to succeed as I like everyone involved and the subject matter is one that I'm interested in. Damned's best moment are the sequences where we hear the calls that the team at Elm Heath Children Services field on a daily basis. Meanwhile, the introduction of social work student Mimi (Lolly Adefope) provides another authentic subplot as Brand and company are able to demonstrate the disparity between her studies and the reality of children's services. The pursuit of Mimi by the office's oddball Nitin (Himesh Patel) also provides some humorous moments as he attempts to persuade boss Denise (Georgie Glen) then he should be Mimi's mentor, a plea that falls on deaf ears. Overall, the first episode of Damned's second series had its moments but I found that the obvious gags didn't gel with the darker nature of the central storyline. However, I'm going to keep watching as it's a comedy that never outstays its welcome and features likeable characters played by an ensemble cast of actors who I really like.

TV review, Damned, C4

Are sexual abuse and sex trafficking suitable subjects for comedy? My gut instinct would say no but the first episode of the second series of social worker comedy Damned somehow managed to incorporate these subjects and make serious points along with succesful jokes. The writers - Jo Brand, Morwenna Banks and Will Smith - and the cast - deserve full credit for going where few programmes fear to tread. Imagine Ken Loach collaborating with Ricky Gervais.

Damned, Channel 4, review

Jo Brand and Alan Davies create tragi-comedy at its best.

Damned: this gentle comedy is a rare gem

Damned is a rare achievement: noble in his depiction of human weakness, soaringly ambitious while trapped in humdrum surroundings, and deeply empathic in prising laughs from desperate circumstances.

TV preview, Damned

Human degradation was never so funny.

Preview - Angstrom

New radio comedy Angstrom, starring Matt Holness, begins Wednesday 10th January on BBC Radio 4.

The anthology nature of Inside No. 9 allows the duo to experiment with different styles and in the opening instalment, entitled Zanzibar, they've decided to tackle Shakespearean farce. Set in the ninth floor of the titular hotel, we're introduced to a group of guests who participate in various room swaps and cases of mistaken identity throughout the half hour running time. Based on A Comedy of Errors, one of the Bard's plays that I'm unfamiliar with, the crucial part of the plot sees Rory Kinnear take on dual roles; a powerful prince and a man about to propose to his disinterested girlfriend. Throughout the piece we're also introduced to the prince's devious bodyguard (Shearsmith), an amnesiac pensioner and her camp son (Marcia Warren and Pemberton), a suicidal Scotsman (Bill Paterson), an open-minded call girl (Tanya Franks) as well as a flippant stage hypnotist (Kevin Eldon). Providing key exposition throughout the piece are the Zanzibar's bellboy (Jaygaan Ayeh) and his chambermaid girlfriend (Helen Monks) who help to participate in the confusion. I personally thought the decision to perform all of Zanzibar in iambic pentameter would get annoying quickly but instead I relaxed into the flow and ultimately felt like the decision paid off. After the initial set-up, the gags began to flow, and I found myself laughing out loud at least three times throughout the piece thanks mainly to the quick-witted nature of the dialogue and the comic timing of the ensemble cast. Praise must go to Warren for portraying a doddery old dear who takes on a thankless task and to Kinnear for convincingly playing two very different characters. Furthermore, I felt that both Eldon and Franks shone in smaller yet vital roles and Ayeh held his own against many more established comic players. Zanzibar put me in mind of prior Inside No. 9 openers Sardines and Couchette; which also took place in a confined setting and were full of big laughs rather than moments of subtlety. However, whilst both of those instalments ended with a rather dark denouement, Zanzibar contained a rare happy ending that you won't find in many Inside No. 9 episodes. Whilst I enjoyed the experimental nature of the episode and found it kept my attention, I prefer when Pemberton and Shearsmith go a little darker with their material therefore I'm looking forward to seeing what awaits me in coming weeks as the fourth series of Inside No. 9 continues.