Katherine Jakeways herself is excellent as crazed self-defence teacher Esther.

A star cast decorates Katherine Jakeways' slightly surreal comedy about the inhabitants of a small town... There's a tinge of Under Milk Wood about it all.

Katherine Jakeways' tale of a small town preparing for a talent show is a comedy cracker. Penelope Wilton, Mackenzie Crook and Sheila Hancock lead the cast in what is a tender look at British eccentricity, community and a slideshow featuring inappropriate images of Victorian ladies, and also a very funny half-hour.

Oddly enough, North by Northamptonshire doesn't spell 'bugger all' backwards, although that is roughly the message emitted by playwright Katherine Jakeways about small-town life. With a narrator helicoptering above the characters, whose innermost impulses are purportedly revealed, the drama is clearly begging to be compared to Dylan Thomas' Under Milk Wood, set in Llareggub with its famously mischievous spelling... in its dreams.

For while Thomas' dramatis personae, in all their disappointed, perverted, mixed-up reality are revealed in subliminal flashes and dreams, Jakeways' people bare all in daylight. Vomit, infertility, yawn-inducing pubescent fantasies and the loneliness of the middle-aged divorcee contemplating a Jane Austen box-set and a bag of chocolate raisins are variously presented for our consumption. It is at once too much information and not enough. Everything is regurgitated 9 to 5, leaving these characters with all the backstory of Teletubbies.

While Thomas had two narrators, one delineating conscious activity, the other overseeing the subterranean world of the psyche, here there is just one, the estimable Sheila Hancock. Poor Sheila Hancock, she sounds as if she doesn't know where to look. Her magisterial yet subtle inflexions are completely wasted as she introduces the supermarket manager (Mackenzie Crook), who jokes over the tannoy about vomit in the aisles, so she settles for a faintly reproving note. Penelope Wilton's wonderfully dolorous tones are also underemployed as the producer of a talent contest, gently prodding the posh teenager, whose interest in history is entirely based on the amount of cleavage on show in portraits.

Jakeways has another role beyond that of author. She plays Esther, the most obnoxious character of all, who indulges in public humiliation of her husband (Kevin Eldon) for his failure to make her pregnant. If Esther was a finely-crafted suburban gorgon, a creature at once excessive and yet explicable, a Lady Macbeth or Miss Havisham of the boot-making shire, this would make sense. Actually this was another case of a woman diminishing a man, because that has become as acceptable as the opposite is unacceptable.

Sheila Hancock is the narrator in Katherine Jakeways' new four part comedy drama serial. It's set on Wadenbrook, an hour from Peterborough by bus, but where the local co-op is the centre of local life, partly because Rod the manager, comes on the tannoy to tell customers more than they might want to know about his private life. Imagine a version of Llareggub in Northants, with Ken Bruce on the radio and a talent contest in sight.

A new four-part series with the potential to become a classic in the Little Britain mode. An all-star cast - Sheila Hancock, Mackenzie Crook, Penelope Wilton, Felicity Montagu and Kevin Eldon - star in Katherine Jakeways' comedy about stultifying small-town obscurity, where middle-aged no-hopers live lives of quiet desperation and the young leave town at the earliest opportunity.

The laughs are cruel, but the monsters of suburbia are curiously sympathetic, and the characters so well drawn and well played that this could run and run.

Katherine Jakeways is the new Victoria Wood. And that's official. Her character comedy is so acutely observed and so sharp that it's in danger of causing permanent injury. Sheila Hancock narrates this story of life in a small Northamptonshire town that's home to the funniest of locals. Miss this at your peril.