Greatest sitcom ever: Fall and Rise of Reginald Perrin

Perrin was made in an age when the BBC did not feel the urge to use its drama and comedy programmes to proselytise about minority rights, prejudice, racism and homophobia. It took a problem common to the silent majority and explored it sensitively, but with brilliant humour. That was why Perrin was so popular in its day, and why if one watches the box set now, 40 years later, it transmits through wit something timelessly relevant.

You'd have to be very brave or very foolish to tackle a remake of classic 1970s sitcom The Fall And Rise Of Reginald Perrin. As this was written by the novel's author David Nobbs together with Men Behaving Badly creator Simon Nye, it's definitely a gamble worth taking.

It helps that Martin Clunes, who has the unenviable task of stepping into Leonard Rossiter's shoes as the downtrodden office man, looks nothing like the 70s star. Viewers who remember the original will be preoccupied with making comparisons. So what else is different?

Modernisation means that even Reggie's fantasy life must be politically correct - so no more hippo fantasies. And as his boss Chris Jackson, Neil Stuke has a the difficult job of measuring up to John Barron's masterful CJ.

What is strange is the fanciful excuses Reggie used to give each morning for why he was late now sound exactly like announcements commuters hear every day. "Wrong kind of passenger at South Norwood?" Why not?