Guy Jenkin

There are surprises, though less charm, in new comedy from Channel 4's Bugsplat!, from Drop the Dead Donkey and Outnumbered writer Guy Jenkin. Bugsplat! is set on an English RAF base, where drone pilots coordinate attacks on far-away targets. The press of one big red button in a converted shipping container in a field annihilates enemies and any number of innocent "collaterals". This brutal premise forms the basis of George Brant's fierce monologue Grounded, which is currently running off-Broadway with Anne Hathaway as its drone pilot. But the treatment here is more daft than harrowing, reaching for dark humour in the fundamental absurdity of the situation. That is not, in itself, offensive, though the jokes never quite land, hovering uncomfortably between trying to be both cautious and outrageous.

In its opening scene, a target vehicle is tracked by a drone as it moves from wilderness to town to marketplace to an orphanage for blind children, the collateral damage of any attack becoming increasingly unacceptable. "It'd kill 50 children!" one observer objects. "Health and safety gone mad," grumbles splat-hungry pilot Lexi (a caustic Lauren O'Neil), as she hovers over the button. Eventually, she gets to press it. She celebrates with a drink - they've taken out the bad guy. Only they haven't, and the real bad guy tricked them, and WikiLeaks is all over it and what appeared to be an operational triumph quickly turns into a PR disaster, particularly since someone filmed them dithering over the approach.

Vincent Franklin, last seen in Russell T Davies's Cucumber, plays exasperated Wing Commander Barry, who tries his best to manage this messy cross between a bureaucratic nightmare and "Xbox shit". But for a modern sitcom dealing with such current subjects, it feels strangely old-fashioned. Were it not for the subject matter, it is easy to imagine it airing on ITV's 9pm Friday-night spot. There are touches of wit - I enjoyed the use of "to decease" as a verb - but the obvious problem is that the real situation is so tragic and absurd that it requires razor-sharp satire to slice it open. The Thick of It, which is a clear point of comparison, worked because its writing was ruthless. This doesn't go far enough. When Fiona Button's PR manager Gina attempts to take control of the disaster - "What's a cock-up but a triumph that hasn't been spun right?" - you're left wishing Malcolm Tucker would come and show them how it's all done.

A strange solo outing for Guy Jenkin, co-writer of Ballot Monkeys. On an RAF base in the British countryside, a squadron who used to fly bombers in Afghanistan now sit controlling drones. In this, er, pilot episode, a hit on a high-profile jihadi turns bad, and it all goes a bit Thick of It as the details leak out. Can comedy flow from such a dark and airless subject? Vincent Franklin, Rufus Jones and a particularly fine Hugh Skinner - a dashing toff here, instead of his dim one in W1A - lead what proves to be a hopeless mission.

Radio Times review

A great cast - Vincent Franklin from Cucumber, Hugh Skinner (dumb Will in W1A), and Rufus Jones (camp David, also in W1A) do their best in this queasy sitcom about drone pilots.

The bored little group are closeted in a cabin on a bleak airfield, their days characterised by long stretches of yawning boredom punctuated by administering sudden death in the Middle East, and sometimes they get it wrong.

It's a black comedy (there's a very off-colour gag about social services) but it's not black enough and consequently not funny enough. It's the kind of thing Charlie Brooker would do ruthlessly well, yet writer Guy Jenkin (Ballot Monkeys and Drop the Dead Donkey) lets it drift into farce.

With three days to go before polling day, we can presumably expect events in the election battle bus sitcom to grow ever more frenetic. But in a controlled way, because Andy Hamilton and Guy Jenkin perfected the knack of dropping topical material into the mix at the last moment back in their days writing Drop The Dead Donkey; while the likes of Hugh Dennis, Ben Miller and Sarah Hadland can be relied on not to fluff their lines. Continues and concludes tomorrow and Wednesday.

Review: Ballot Monkeys

Comparisons with the The Thick Of It are inevitable. With less swearing and less cynicism, Ballot Monkeys doesn't have savage bite than Armando Iannucci's classic, but can still boast plenty of sharp lines as well as the ability to reflect the realities of campaigning.

In an election where the Tories, to use Lynton Crosby's terminology, keep dropping dead cats on to the table, here come the creators of Drop The Dead Donkey. As they did with their 1990s news-com, Andy Hamilton and Guy Jenkin have written scripts with gaps, to be filled at the last minute with oven-hot satire. The action flips between various shades of panic on board the Labour, Conservative, Lib Dem and Ukip battle buses. A strong cast is led by Ben Miller, Sarah Hadland and the lord high chancellor of topical zingers, Hugh Dennis.

This election satire promises to be so topical, it will only be written in the hours before it's broadcast.

Wherever they aim their comedy sights, it's certainly bound to liven up what's been a distinctly laugh-free election campaign.

What we do know is the show will be written by those clever bods Andy Hamilton and Guy Jenkin, who brought us Drop the Dead Donkey and Outnumbered. A ringing endorsement if ever there was one.

And it will star the likes of Hugh Dennis, Trevor Cooper, Sarah Hadland, Ben Miller and Hattie Morahan. So far, so good.

The trailer features the cast as confused, gormless politicians, all effectively scratching their heads and wondering what to say. So it's all looking rather authentic.

The five half-hour episodes, broadcast in the run up to the May 7 election, will intercut between the campaign buses of the four main parties - Conservative, Labour, Liberal ­Democrats and UKIP, who don't really need to be satirised.

On each bus, cameras follow the staff including analysts, interns, IT geeks, social media monitors, empathy consultants (seriously?) and even bus drivers as they deal with the latest crisis or drama. A crisis or drama that we will have only just heard about in real life.

Radio Times review

Bored and unamused by the election? Well, this new comedy from Drop the Dead Donkey and Outnumbered creators Andy Hamilton and Guy Jenkin may cheer you up. It takes you onto the battle buses of the Tories, Labour, Ukip and Lib Dems (the Greens appear to have been snubbed), with key scenes written and performed close to transmission. The idea is to insert highly topical material at the very last minute, something which worked so stunningly in Drop the Dead Donkey.

And with great performers like Ben Miller, Hattie Morahan and Sarah Hadland to call on and a rich collection of characters including press officers, empathy consultants, special advisers (aka "spads"), IT wizards, social media monitors, political analysts, interns and of course bus drivers, chances are this may well get your vote.

Ballot Monkeys: all too believable & all the funnier

Andy Hamilton and Guy Jenkin's election campaign comedy lives up to the hype with help from an impressive comedy cast.

Ballot Monkeys: A sitcom in poll position

Ballot Monkeys, a new five-part comedy series that hitches a ride with the party apparatchiks on the general election battle buses, will be shot at the last-possible moment to make sure its satire is absolutely up-to-the-minute. It's an exciting concept that would nevertheless have most writer-directors swinging from the trees with nerves. Not Andy Hamilton and Guy Jenkin.