Ashley Walters

From first viewing, The Aliens is E4's most ambitious programme since Misfits due to its intriguing concept and energetic central cast. Fintan Ryan's drama is set in a UK where aliens crash-landed forty years prior and have since been segregated into their own city called Troy. These aliens are allowed to cross over to the human side of the wall as long as they go through border control where they are tagged and sprayed. The other big concept running throughout The Aliens is that alien hair when set alight becomes a rather potent drug and therefore it is sold on the black market. It's this idea that totally freaks out border guard Lewis (Michael Socha) who, in an early exposition-filled speech, outlines why he hates the aliens or 'Morks' as they are offensively called. Outside of his work Lewis lives a rather lonely existence, sharing a home with his father (Neil Fitzmaurice) and regularly having to bail out his ditzy sister Holly (Holli Dempsey) and her partner Ivan (Alex Beckett). Lewis' only solace comes via the online chats he has with the exotic Lilyhot (Michaela Coel) who unbeknownst to him is actually an alien gangster. Lilyhot's story is the other one that unfolds throughout the first episode as we see her engage in illegal activity with her partner Christophe (Ashley Walters) as they rob and pillage their way through Troy. Lilyhot and Lewis' worlds are slowly intertwined after Christophe kidnaps Holly and our hero must go behind enemy lines to save her. However the twist in the tale is that Lewis himself his half alien, a product of an affair between his mother and an unknown father, which changes his world view on everything. But by the end of the episode the only two people who know are kindly alien cleaner Dominic (Jim Howick) and Lilyhot the latter of whom uses the information to blackmail Lewis.

I admire any TV show that is willing to take risks and stand out from the crowd with The Aliens sort of succeeding on both fronts. What I liked about The Aliens is that, even though it has an outlandish concept, the reason it works is due to its central characters. Lewis is certainly a well-drawn character initially presented as a dull everyman he quickly becomes an unwitting hero and learns of his true parentage in the course of a couple of days. It's because Allen makes the audience care about Lewis that it's easier to take some of the weaker parts of the story which feature Christophe and Lilyhot's crime spree. That being said I found Lilyhot herself to be a fantastic and unique character, a sort of extra-terrestrial femme fatale who has one over on all of the male characters in the show. When I first saw the trailers for The Aliens I thought it would primarily be providing a commentary on illegal immigration and while that's certainly one of the drama's themes it doesn't feel like any sort of message is being rammed down our throats. Furthermore I enjoyed the styling of The Aliens especially when it comes to the design of the city of Troy which we first saw through the eyes of Lewis. Troy is presented as a lawless world full of darkness and I feel the production team has done an excellent job bringing it to life. Of the cast, I thought it was great to see Michael Socha take centre stage after years of being part of ensemble in the likes of This is England and Being Human. Socha brings an easy charm to the role of Lewis and I feel he really excelled in the scenes where he learned of his true parentage. Jim Howick provided some great light relief as Lewis' ally Dominic whilst Ashley Walters perfectly utilised his gangster persona to play Christophe. However it was Michaela Coel who stole the show in my opinion as she poured tons of life into the complex character of Lilyhot. After seeing her for the first time last year in Chewing Gum, it's great to Coel live up to her early promise in a role in which she's asked to convey most of her feelings through facial expressions rather than dialogue. It's thanks to Coel and Socha that The Aliens works as well as it does and I have to applaud Ryan for creating a TV show that offers something a little different to the usual dramas we seem to be offered up on a weekly basis.

The Aliens review

The Aliens' manic energy, pace and strong leads made for a pulsating ride.

The Aliens review: otherworldly fun from Misfits makers

Buckle up: E4's new comedy-drama is a rollercoaster ride.

The Aliens, E4 - TV review

A dystopian world with the modern trappings of urban life.

The Aliens episode 1 review

E4's new sci-fi comedy, from the producers of Misfits, aims for frantic, youth-skewed fun with a social conscience. Does it succeed?

... In Deep, written by Tom Joseph and Thomas Eccleshare, whose MacGuffin comprised a message concealed in a tampon in the intimate parts of a female corpse. What redeemed it, though, was its unpredictability and crazy energy as it told the story of two hopeless inner-city policemen -- Ashley Walters and Adam Deacon -- yearning for excitement in their routine lives and suddenly (à la The Wrong Mans) getting far, far too much of it.

It ended on a cliffhanger with our two heroes bound in gaffer tape, about to be murdered by a crazed homosexual serial killer. That's the way to do your showreels: leave commissioning editors gagging to know what happens next.

Comedy Feeds 2014

I've made it no secret on here that I'm a big fan of Ashley Walters (Top Boy) and Adam Deacon (Kidulthood, Adulthood, Anuvahood, Babylon) so when I saw that the two of them were in a comedy together, I couldn't wait to see it. And luckily, when I did. it didn't disappoint. In Deep is easily my favourite out of all the pilots, and what I love is that before you're able to jump to the conclusion that In Deep sounds a bit like the title of a porn film, they do that for you in the opening scene - "Mate, it sounds like a porno. Cut the bullshit. This is about us. Two bored constables going nowhere. And it started in a Hyundai..."

Stewart Lee is a stand-up comedian who specialises in telling unfashionable truths. He has the manner of Gordon Brown at his glummest, but instead of being downbeat, this is comedy so accurate and courageous that its effect is exhilarating. His target tonight is the debased world of book publishing. "Did William Tyndale," he wonders miserably, "burn at the stake in 1536 in the cause of vernacular English literature so that you could read The Gospel According to Chris Moyles?"; He demolishes Dan Brown, explains why he has never read J. K. Rowling and disrespects the rapper Asher D's autobiography. "I like this book," he says, "because when I read a book, I don't like there to be too many words in it. What I prefer is for it to be pictures of the same man, over and over again, in a variety of different hats." It's the comic highlight of the week.