Rowan Atkinson

The ghost of Joe Orton looms large over this spirited black comedy from White Noise scriptwriter Niall Johnson. A dark British farce, it boasts a delicious performance by Maggie Smith as an elderly housekeeper with a deadly way of resolving domestic unrest. Hired to look after the family of Rowan Atkinson's nerdy country vicar, she quietly sets about tackling their individual problems - from his son being bullied at school to his teen daughter's nymphomania.

While her resulting Serial Mom-style solutions are often predictable, they're no less entertaining, benefiting from some neat gallows humour and an edgy sense of fun. In fact, Smith outshines all the cast with her immaculate comic timing, despite strong competition from Patrick Swayze as a sleazy US golf instructor who's romancing Atkinson's wife, Kristin Scott Thomas.

Surprisingly, the only real downside is Atkinson, whose customary bumbling schtick feels forced and twee in an otherwise boisterous affair.

The fourth edition of this five-star sitcom opens with what is now a running joke on how the budget airline crew either don't know or don't care about the technicalities of taking off, flying or landing.

I've listened every week, expecting it to crash land but John Finnemore's writing flies in first class. And then there's Roger Allam's performance as the bitter first officer who despises his captain. He is to sarcasm and sneering what Rowan Atkinson's Blackadder was to, well, sarcasm and sneering. Radio sitcom success stories are rare: let's hope this one's in from the long haul.

Adapted seamlessly from its original American setting by writer/director Niall Johnson (novelist Richard Russo penned the initial script), Keeping Mum manages to be both reassuringly familiar and surprisingly fresh. Apart from the witty script, the secret to its success lies in its offbeat casting. Scott Thomas loosens her stiff upper lip and clearly relishes playing Gloria Goodfellow, a wife and mother who's thinking about playing around with a sleazy golf instructor (Swayze) and abandoning her inert husband Walter (Atkinson), the vicar of Little Wallop (don't worry, nothing else is quite so twee).

A would-be black comedy in a rural British setting, this sees vicar Walter Goodfellow (Rowan Atkinson, of course) employing a housekeeper, Grace (Maggie Smith), who just happens to be a released murderer. Equally unimaginative casting comes in the form of Kristin Scott Thomas as a foul-mouthed, frustrated wife and Patrick Swayze as a pervy American golf pro who gets the village ladies in a spin.

Grace sets about solving the Rev Goodfellow's family problems in her own unique style while the family engage in farcical sitcom banter (sometimes funny, sometimes not). It's like dumping a serial killer into a very, very long episode of The Vicar of Dibley and expecting it to work: there's no artful black comedy here, just an uncomfortable clash between broad provincial humour and a murder plotline.

The central cast are up to the job: Smith deadpans delightfully when she can, and Atkinson upgrades his bumbling Four Weddings and a Funeral performance to mildly amusing effect. But despite its genial characters, Keeping Mum is an undisciplined, ultimately unsuccessful experiment in British black comedy.

A Bumbling British Spy, Both Shaken and Stirred

Rowan Atkinson, the gangly, rubber-faced British comedian who is the star and raison d'être of Johnny English, has collected a devoted American following for his two television personas, the history-hopping scoundrel Blackadder and the hapless, spastic Mr. Bean.

Fears of a clown

He's the rubber-faced joker with millions in the bank and a 007 spoof on the way, yet Rowan Atkinson would still swap the burden of comedy for the joy of fixing a plug

Not the Nine O'Clock News (BBC2) once again repaid the watching. The only reason I have been grudging about Rowan Atkinson and his bunch is that the very idea of being obliged to make pointless jokes nowadays brings me out in a sweat. But if laughs for the sake of laughs are still worth generating, the Not team has the wherewithal.

The Atkinson People is a rare attempt to present sustained, intelligent satire. [...] Writers Rowan Atkinson and Richard Curtis had an acute ear for the gently barbed generosity with which grand old men of the theatre often express themselves, and for the dialogue they perform.