Christopher Bliss. Rob Carter
Rob Carter

Rob Carter

  • English
  • Actor, writer and comedian

Press clippings Page 4

Fringe Q&As: Rob Carter

Rob Carter on neeps and tatties, adultery, murder and heavy-petting.

Linda Howard, The Herald, 18th July 2018

Comedy safe from forced audience participation

I'm not a particularly anxious person, but I really, really hate audience participation.

Natalie O'Donoghue, Broadway World, 18th July 2018

20 character/clown comedy recommendations for Fringe

Laugh Out London brings you a list of some of the best character/clown comedy shows you will see at the Edinburgh Festival Fringe 2018.

Laugh Out London, 9th July 2018

Christopher Bliss: Writing Wrongs review

There's perhaps not an awful lot of depth to the character, but his eager affability, the silly pastiche of bad prose and the more knowing subtext will, as Bliss might write, cause the edges of your lips to be dragged up in the direction of your eyes, making the U-shape of an upside-down umbrella. Smile, in other words.

Steve Bennett, Chortle, 17th November 2017

Rob Carter as Christopher Bliss - Fast Fringe

Here's comedian Rob Carter reading a ghost story in the guise of terrible novelist Christopher Bliss.

Chortle, 11th August 2017

Rob Carter interview

Character comics at this year's Fringe explain how far they'll go to have a fictional person seem all-too real.

Kirstyn Smith, The List, 26th July 2017

BWW Q&A- Rob Carter

Rob Carter interview.

Natalie O'Donoghue, Broadway World, 24th July 2017

Fringe 2017: 18 unmissable comedy tips

Browse through 18 of the many highlights below.

Shaun Kitchener, The Daily Express, 23rd July 2017

#EdFringe17: Rob Carter is Christopher Bliss

Christopher Bliss is the lovingly crafted creation of award-winning comic actor and musician, Rob Carter. Enjoy 15 minutes of stand up and chat with Rob, which includes a reading from Christopher and from the archives, Rob raps like a gangster

Martin Walker, Broadway Baby, 17th July 2017

Live Review: Ricky Whittington & His Cat

The result is a clever up-to-the-minute adult version of a traditional theatrical form with lots of good knowing lines, good subversive humour and good catchy tunes.

Bruce Dessau, Beyond The Joke, 6th January 2017

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