Michael Aitkens
- Writer
Press clippings
Fear, Stress & Anger: Peter Davison and Georgia Tennant's lost sitcom
Lost Listings is where we rediscover forgotten shows and talk to the people who made them. In this edition: Peter Davison, Georgia Tennant, Michael Aitkens and Daisy Aitkens look back on their short-lived 2007 comedy.
David Craig, Radio Times, 27th September 2023Michael Aitkens - Waiting for God interview
From screen to stage with creator Michael Aitkens.
Terri Paddock, My Theatre Mates, 16th May 2017Waiting for God review
The main comedy though is firmly in the dialogue, very slick, very quick and very funny. Aitkens has now achieved an age to appreciate the problems and perhaps put a more personal slant on the writing.
Sheila Connor, British Theatre Guide, 3rd May 2017Hit 90s sitcom Waiting For God coming to the stage
1990s sitcom Waiting For God, about two delinquents in a retirement home, is coming to the stage for a new live tour.
British Comedy Guide, 13th March 2017Mindful of its tacky image, Carlton doubtless thought that throwing money at a show with a posh bird like Joanna Lumley and the word "class" in the title would guarantee ratings and quality. It didn't, and all they've succeeded in producing is a thoroughly plebeian series about a toff, totally lacking the genuine class that Thames achieved with the low-life cast of Minder.
Victor Lewis-Smith, Evening Standard, 8th September 1995Which brings me to Michael Aitkens and his latest comedy series, Honey For Tea (BBC1, Sunday). [...] This is, without the slightest doubt, the worst sitcom the BBC has produced in a decade, stunning even the studio audience (who are let in free, and are, therefore, always grateful) into occasional silence.
Victor Lewis-Smith, Evening Standard, 21st March 1994Moving to the other extreme of the sitcom life cycle, retirement home series Waiting For God (BBC1) stakes a claim for involuntary euthanasia that grows more compelling by the week. The once inventive and sharply-scripted show now shuffles along like a geriatric without a zimmer, having abandoned wit in favour of slapstick, and characterisation in place of caricature.
Matthew Norman, Evening Standard, 1st October 1993