Press clippings Page 3

Katherine Parkinson interview

"I used to think it was not a big deal being sexually fulfilled... But it's massively important to your entire being."

Jessie Thompson, The Independent, 17th July 2022

Screen Media acquires US rights to Catherine Tate comedy The Nan Movie

Screen Media has acquired North American rights to the road-trip comedy The Nan Movie, written by Catherine Tate and Brett Goldstein, with plans for a day-and-date theatrical and on-demand release this July.

Matt Grobar, Deadline, 14th June 2022

Here We Go: The unassuming, but brilliant, comedy everyone should be watching

Light catastrophe is something that British sitcoms have always done well, from Peep Show to Outnumbered. BBC's new series Here We Go, writes Nick Hilton, is definitely the latest iteration of this formula: a sitcom of almost claustrophobic normalness.

Nick Hilton, The Independent, 27th May 2022

Here We Go review

Katherine Parkinson and Alison Steadman are joyous in this warm hug of a sitcom.

Rachael Sigee, i Newspaper, 29th April 2022

Here We Go, review

Don't be fooled by its ordinary appearance, this is a comic masterpiece.

Benji Wilson, The Telegraph, 29th April 2022

Katherine Parkinson interview

"Writing is just vomiting on the page. And then picking through your vomit'. Ahead of her new BBC sitcom, Here We Go, the actor talks about catastrophising, domestic chaos and tearing down the trope of the 'moany wife."

i Newspaper, 13th April 2022

The Nan Movie review

Catherine Tate's 'comedy' is as interminable as it is revolting.

Robbie Collin, The Telegraph, 18th March 2022

The Nan Movie review

The Nan Movie is a terrible film with a much better film hiding inside it. And Catherine Tate should have made that film instead.

Rich Johnston, Bleeding Cool, 18th March 2022

The Nan Movie review

Weirdly, thanks to the skills of Tate and Parkinson, The Nan Movie does a better job with its dramatic beats than it does with its comedy.

Ian Freer, Empire, 18th March 2022

The Nan Movie review

It is not an easy film to be bothered about.

Tom Beasley, Film Stories, 18th March 2022

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