Boy Meets Girl: A welcome return?

It's almost as if they didn't have any ideas and instead have given us a lot of well-worn cliches instead. The long distance job offer, the creation of a new business and a secret relationship are all well-worn comic tropes and Boy Meets Girl doesn't seem to what to do anything particularly new with any of them.

Writer Elliott Kerrigan hails incredible feedback

"I've had people email me telling me what the show means to them, and that's been the most incredible thing" says Elliott Kerrigan.

Boy Meets Girl started life as the winning script in a competition to find a comedy that portrayed transgender characters in a positive light. The majority of the press I'd read about Boy Meets Girl focused on the casting of real life transgender actress Rebecca Root and how groundbreaking the show was fore featuring her in a prominent role. So I was more than surprised to learn that Boy Meets Girl was rather a traditional romantic comedy that used Root's Judy's gender transition to explain why she's been so lonely for most of her life. Creator Elliott Kerrigan and co-writer Simon Carlyle made sure that Judy and her love interest Leo (Harry Hemple) both felt like well-rounded characters and by the end of the first episode I felt I'd got to know them sufficiently well. Crucially both Judy and Leo were likeable and relatable characters whose romance made sense despite the fact that she was significantly older than him. Any of the scenes in which these two characters were on screen together were incredibly warm with the majority of the comedy stemming for realistic situations. Both Hemple and Root were brilliant in portraying Leo and Judy as lonely characters who were looking for love and who had seemingly found it with one another. If Boy Meets Girl does have any negative qualities then its in the supporting characters most notably Leo's annoying brother James (Jonny Dixon) and his overbearing mother Pam (Denise Welch). However I feel that Kerrigan and Carlyle have time to let us get to know these characters a little more as the series progresses and I'm not going to judge his presentation of secondary characters too harshly in an opening instalment that had plenty of plot to whiz through. When it's at its best Boy Meets Girl evokes memories of Gavin and Stacey and whilst Kerrigan's comedy may not be as laugh-out-loud funny as that comedy classic its certainly as warm and genuine. I'm just hoping that Boy Meets Girl gets better as it goes on as after episode one I already think it might be one of my comedies of the year.

Elliott Kerrigan on the 'Boy Meets Girl' journey

Elliott Kerrigan talks about his experiences of making Boy Meets Girl and the people he's met along the way.

Interview: Boy Meets Girl writer Elliott Kerrigan

The man behind the BBC's first transgender comedy reveals why he wrote it - and why his mother watched it in stony silence.

Boy Meets Girl: The story so far

Here we are making Boy Meets Girl the series. It's a pleasure to be co-writing the scripts with Simon Carlyle - his experience and Midas touch is going to turn the scripts into something special.

Winners of BBC Writersroom Trans Comedy Award announced

BBC Writersroom have announced Tom Glover and Elliott Kerrigan as the two recipients of the Trans Comedy Award: a talent search to encourage writers to promote a positive portrayal of Transgender people in mainstream comedy.