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After Life series 2, Netflix review

Ricky Gervais's study of bereavement continues.

Veronica Lee, The Arts Desk, 25th April 2020

Review: After Life season two, Netflix

There is certainly a lot going on in series two. This series overview barely scratches the surface and there are some crucial details we haven't revealed. Does it surpass the first series? I'm not sure. That made such an impact it was always going to be hard to beat. But there is no doubt that this sequel will grab you from the very start and keep you grabbed until the very end.

Bruce Dessau, Beyond The Joke, 24th April 2020

After Life season 2 review

Ricky Gervais should have left it as a limited series.

Lewis Knight, The Mirror, 14th April 2020

After Life, series 2 review

Ricky Gervais's grief-driven comedy is just a rehash of the first series.

Ed Power, The Telegraph, 14th April 2020

After Life is the latest offering from Ricky Gervais, where he plays widower Tony, a man corroded by grief (staying alive only to feed his dog) who decides to be as obnoxious as he likes and then kill himself, behaviour that he thinks is "like a superpower."

The cast includes Penelope Wilton as a widow, Diane Morgan as Tony's gobby co-worker, and Paul Kaye as a self-satisfied therapist. Apart from videos left by Tony's late wife (a touching Kerry Godliman), the heart is mainly provided by Ashley Jensen as a care-home worker looking after Tony's dad (David Bradley), and Mandeep Dhillon's rookie journalist at the local newspaper where Tony works.

The problem is the wildly swerving tone - from obnoxious to sentimental to caustic to maudlin to pointlessly vile. At one point Tony helps a junkie (Tim Plester) buy enough drugs to kill himself. Ho and ho. This just won't cut it as edgy comedy in the era of Succession, Russian Doll and so much more. After Life worked better during the running joke featuring Tony covering hopeless local stories, such as a boy playing recorders with his nostrils: "Why would people rather be famous for being shit than not famous at all?" This is Gervais's true superpower - as a carping, eye-rolling everyman.

Barbara Ellen, The Observer, 17th March 2019

TV review: After Life

Ricky Gervais has completely shaken up our perceptions of what he is capable of with his latest series After Life, showing how this comic can do heart-breaking as well as hilarious.

Becca Moody, Moody Comedy, 17th March 2019

After Life review

Ricky Gervais' touching look at grief and the people left behind.

Jo-Anne Rowney, The Mirror, 8th March 2019

After Life: Gervais is back with a new comedy recipe

It is an odd form of comedy, the Ricky Gervais thing. Possibly, like Phoebe Waller-Bridge's Fleabag, it isn't comedy at all, but something more akin to dramatic anxiety.

Alastair McKay, Evening Standard, 8th March 2019

Review: Gervais gets spiny & squishy in After Life

Like its snarky hero, After Life is essentially good-hearted.

Robert Lloyd, LA Times, 8th March 2019

Review: After Life could've been profound. It's profane

Ricky Gervais was once hailed as an innovator of comedy. Series like The Office and Extras sealed his reputation as a man who had changed the landscape of TV comedy forever. The Office became so popular it spawned a genre and a popular American remake. Sadly, the style that was once Gervais' hallmark seems to have become something of a curse. At least based on his new Netflix series After Life.

Will Barber-Taylor, The Custard TV, 7th March 2019

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