An incessantly ringing cell phone in a quiet cafe. A stranger at the next table who has had enough. And a dead man - with a lot of loose ends. So begins the odyssey of a woman forced to confront her mundane and miraculous need to connect in a world a-twitter with technology, by US playwright Sarah Ruhl. 'Ruhl's zany probe of the razor-thin line between life and death delivers a fresh and humorous look at the times we live in' (Variety). From two-time Fringe First winners, the Red Chair Players.