Turning Point / Midpoint / Crunch Point: Structuring your 30 minute TV sitcom / comedy drama script
- Thursday 3rd November 2022
Chris Head talks through the structure of a thirty minute script and explains how focusing on the turning point, midpoint and crunch points can really help with the storytelling.
My Comedy Career: Bec Hill
- Wednesday 2nd November 2022
Bec Hill is an award-winning comedy performer and sought-after television writer and presenter. With the second series of her CITV show Makeaway Takeaway on TV now, we caught up with her to find out more about her career.
Writing radio comedy
- Sunday 30th October 2022
Radio can be a great place for comedy writers to start. There are plenty of slots available and, compared to TV, radio commissioners are much more likely to take a punt on new writers.
My Comedy Career: Rich Keeble
- Friday 21st October 2022
With Ghosts, Not Going Out and Murder, They Hope amongst the roles on his CV this year, it's a good time to hear how actor Rich Keeble manages his career.
Practice makes perfect - tips for comedy creators
- Friday 21st October 2022
Comedy creators should be practicing their craft all the time. Here are some useful things to do to ensure you are always learning, and improving your technique, even when you're not working on your next big idea.
Pacing your comedy script
- Tuesday 18th October 2022
The pace of your script can feel like a difficult element to control, but there are some things you can do to control the pacing.
Should you make a short film?
- Thursday 13th October 2022
Sometimes it feels like everyone has made, or is making, a short film. But should you?
Spring Sitcom Selection scripts chosen
- Friday 7th October 2022
Eleven projects have been selected from BCG Pro's Spring Sitcom Selection exclusive opportunity.
BCG Pro Talent Awards: Production 2022 results
- Friday 7th October 2022
Matt Riley and Katherine Press have been announced as the winners of the 2022 BCG Pro Talent Awards: Production.
Drama, in comedy
- Thursday 6th October 2022
It can be difficult to master the use of drama and subtext in scripts and ideas. Darker moments can feel shoehorned in or jarringly bleak. But, when used well, dramatic depth can add real richness to your work.