British Comedy Guide
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Mark Kermode's Secrets Of Cinema: British Comedy. Mark Kermode
Mark Kermode

Mark Kermode

  • English
  • Presenter and reviewer

Press clippings Page 2

Days of the Bagnold Summer review

Simon Bird's debut feature captures the comedy and tragedy in the lives of a single mother and her stroppy teenage son, writes Mark Kermode.

Mark Kermode, The Observer, 7th June 2020

Military Wives review

This crowd-pleasing comedy drama from the director of The Full Monty hits all the right notes.

Mark Kermode, The Observer, 8th March 2020

Emma review

Autumn de Wilde's adaptation ramps up the comedy, but Anya Taylor-Joy remains wonderfully edgy as Jane Austen's meddling heroine.

Mark Kermode, The Observer, 16th February 2020

The Personal History of David Copperfield review

Armando Iannucci both respects and reinvents the novel in a wonderfully entertaining adaptation full to bursting with fantastic comic performances.

Mark Kermode, The Observer, 26th January 2020

The Day Shall Come: review by Mark Kermode

Chris Morris's overcooked FBI farce.

Mark Kermode, The Observer, 13th October 2019

Mark Kermode reviews Wild Rose

A fiery Glaswegian singer and single mother dreams of Nashville glory in this gritty feelgood feature.

Mark Kermode, The Guardian, 14th April 2019

Review - Benjamin

Simon Amstell is a film-maker wh''s made a film about a film maker making a film about his inability to love, a topic that long informed his stand-up.

Steve Bennett, Chortle, 15th March 2019

Fighting With My Family review from Mark Kermode

Stephen Merchant has all the right moves.

Mark Kermode, The Guardian, 3rd March 2019

Stan & Ollie review from Mark Kermode

Steve Coogan and John C Reilly excel in this bittersweet film about the twilight years of the great double act.

Mark Kermode, The Guardian, 13th January 2019

The Favourite - review from Mark Kermode

Yorgos Lanthimos's tragicomedy set in the court of Queen Anne boasts daring performances from its three female stars and lashings of lust, intrigue and deceit.

Mark Kermode, The Guardian, 30th December 2018

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