'Make It' Newsletter | Friday 15th May 2015 |
This is our monthly newsletter for those interested in writing, producing, directing and performing... | ||||||||||||||||||||||||||||||||||||||
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Conference Tips | ||||||||||||||||||||||||||||||||||||||
There's been two writing-focused conferences since our last newsletter. The Craft Of Comedy Writing Conference in Wales (a shout out to the talented, funny people Mark met there!) and the BBC's Salford Sitcom Showcase. The messages from both events were consistent. Given how much was discussed, it's impossible to feedback everything to you here... but here's a flavour of things. Thanks to this Giggle Beats article and @bbcwritersroom for the reminders... - This is the message we hear time and time again, but lots of people still ignore it and forge on with trying to get a rare TV slot: "The opportunities to get commissioned are much greater in Radio." If you want to end up on TV, start in Radio, prove yourself, then jump to TV. - "Commissioners/Producers don't want to read character biogs, synopses or treatments - they just want to read funny scripts". - Just start by writing! Get your first idea down on paper. It doesn't matter how bad it is... you've started then. The hardwork comes in refining it 100s of times until it really is brilliant. Never send it off until it can't be improved. If you don't think it's perfect, then nor will the person the other end. - Nothing happens overnight, you have to be patient. Raised By Wolves took years to make it to TV, but the creators believed in their characters and it did eventually. - You shouldn't underestimate the importance of networking to get your face known... and always being nice, friendly and approachable to everyone. If a producer has two equally funny projects to pick between, they'll pick the one from the person they've met and think it'd be nicer to work with. - "In writing you have to go for the truth of the characters so they make you laugh and cry - think John Sullivan's scripts." - "When mapping out a series make sure every character is serviced". - The BBC says there is no hidden agendas when it comes to commissioning - the best writing will rise to the top. BBC Execs are currently after "natural portrayal, a different perspective of country, a clear voice"... - ... But, that said, "Don't try and second guess what people want or copy what has already been done. The landscape changes quickly." - Phil Mealey said at the BBC event "writers have to be open to constructive criticism, step back and be objective... but it is hard." Meanwhile at the Wales conference it was pointed out that you may not agree with a note, but the person who gave it was clearly triggered by something, so even if you don't agree with them, analyse the thinking behind it for the true problem. - "Being open to collaboration is a huge strength for a writer", that includes working with co-writers and script editors. If you're gutted you missed out on these events, watch this space for news of BCG's own Big Comedy Conference which, fingers crossed, will be back in 2016! |
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Spotlight | ||||||||||||||||||||||||||||||||||||||
In each 'Make It' newsletter we shine a spotlight on a project posted to our showcase forum...
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Thanks for Reading | ||||||||||||||||||||||||||||||||||||||
More from us in a month. In the meantime there's lots of news, discussions, general features and more posted on our website every day... The British Comedy Guide |
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