I try to fight it but the urge to tune away from Radio 4 at 6.30pm most weeknights is almost irresistible. This is odd. What I'm escaping is comedy and not only do I love comedy but a quick fix of it has become, these days, almost a necessity after listening to half an hour of news.Gillian Reynolds, The Telegraph, 19th April 2017
Families can be the toughest critics. As Can't Tell... returns for a third series, Grandma Caton is still waiting for award-winning comedian Nathan to get a proper job. This stand-up/sitcom is an odd beast. A hybrid of Seinfeld and Simon Amstell's Grandma's House, it cuts between the West Indian comic's stand-up routines and the domestic squabbles that inspire them.
It's more "endearing" than "laugh-out-loud funny", but Can't Tell... remains a refreshing counterpoint to the rest of Radio 4's comedy output: Caton wryly describes his presence on the station as "a bit like 50 Cent making an appearance on Midsomer Murders."Tristram Fane Saunders, Radio Times, 18th September 2014
Part autobiographical, part radio version of The Kumars at No 42, stand-up comic Nathan Caton deftly weaves lines from his routine around a glimpse into life at home with his mum, dad and, on occasions, grandma. The stand-up material covers familar ground - why do women talk so much more than men, yawn. But the mini-drama of life at home with the Catons is much more satisfying.
In this episode, his mum (Adjoa Andoh) has had enough of her ungrateful son and husband (Curtis Walker) and leaves them to fend for themselves. She moves in with Nathan's grandma (Mona Hammond), which would be all right if this foxy older woman was not trying to spend the night with the local pastor (Don Gilet). What could have been a slapstick farce has a refreshingly contemporary edge.Jane Anderson, Radio Times, 1st May 2013
Nathan Caton may not be a household name just yet, but that's likely to change before the end of 2012. He kicks off a Radio 4 show later this month...Mayer Nissim, Digital Spy, 16th February 2012