- Next: 9 Sep 2020 (5 x Wednesday nights)
On the course, you will receive a comprehensive grounding in creating characters, writing dialogue and structuring sketches. Improve your sketch writing for online videos, live sketch comedy, TV opportunities and it'll make you sharper for Newsjack too. Topics we will explore include:
- Creating characters
- Point-of-view, voice-of-reason and reasonable/unreasonable behaviour in sketches
- Writing dialogue
- Finding and playing the 'game' of a sketch
- Structuring sketches (using my SREP model).
- 'Unsaid said' - subtext spoken
- Changing context
We'll take as our themes for this course: sending up people in the public eye and lampooning powerful types in society. This covers a very wide range of sketches featuring characters like police, judges, teachers, politicians, celebrities, sport stars, media people etc. These can either be actual people you are parodying or fictional characters. We will also make comedy from sources of information in society like commercials, news, weather forecasts and sports reports. If you're interested in topical comedy you can go that way, but your sketches needn't be news/current affairs based.
As inspiration for your own work and to uncover tools and techniques. we'll watch and analyse sketches from Key & Peele, Tracey Ullman, Mitchell & Webb, Funny or Die, Monty Python, Chris Morris, Rowan Atkinson, Aunty Donna, Fry & Laurie, Rose Matafeo, SNL, Harry Enfield and more.
Leave the course with new sketches, enhanced writing skills and connections with a bunch of great comedy people.
Dates and booking
Sept 9th - Oct 7thWednesday 9th September 2020, 7pm - 9pm (5 x Wednesday nights)
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More information on the course
In the weekly Zoom sessions we watch, analyse and discuss a wide range of comedy sketches from TV and online to uncover techniques and approaches. This is a springboard to you writing your own brand new sketches. You'll receive personal, written feedback and guidance on the sketches you produce. A Trello board accompanies the course with background information and resources. Then after each session, on the board, you will receive a video of the entire class, follow up notes and this space also becomes a forum for sharing comedy sketches, tips, info and for supporting and inspiring each other.
CLASS 1: Basing characters on famous people.
We will begin with sketches that are more straightforwardly topical before broadening our focus, but even here you have the choice whether to make a topical point with your writing or simply to be more timelessly comedic. We'll analyse classic comedy versions of people in the pubic eye from Key & Peele, Peter Cook to Tina Fey and beyond, taking in politicians, celebrities and sports people and will apply the techniques we uncover to your own character creations based on famous people. We'll also discuss how fictional characters can amalgamate the traits of a number of real people.
CLASS 2: Transpositions
This week we work with seeing people in the public eye in an unusual context. These can either be known famous people or fictional characters - for example a real judge or your made up one. Again it can be to make a point or simple for absurdity. We'll also work with big/small transpositions and 'unsaid said'. You'll work on taking a person or character type and showing them in a context that we don't normally see them in. We'll analyse example sketches from Tracey Ullman, Mitchell & Webb, Funny or Die, Monty Python and more.
CLASS 3: Format sketches
This week we'll look at taking a factual format that gives information, emptying it of its familiar content and putting in something incongruous. For example, taking the bombast of a serious news programme and putting in surreal nonsense, all delivered as if it’s serious. We'll explore how you can:
- Substitute the content for nonsense.
- Use the format to make a point.
- Change who is in the format.
- Change what is being talked about.
- Treat fiction as fact
- Indulge in wordplay and language games.
- Work with dramatic irony.
Our examples come from Mitchell & Webb, Monty Python, Chris Morris and more.
CLASS 4: The establishment
This week we'll develop the work we did in the previous session as we lampoon establishment bastions like the monarchy, the church and academia, again for purely whimsical effect or to make a point. We'll work with existing texts and modify them with your own absurd or cutting interpolations. Again you can work with a specific person - say Justin Welby OR a timeless fictional Archbishop of Canterbury. The key is to keep as much as possible as it should be, so there are two tones-of-voice at play: the original and your parody. We'll explore examples from Rowan Atkinson, Aunty Donna, Fry & Laurie, Chris Morris, Python and more.
CLASS 5: Advert parodies
We'll work with sketches that are parodies of commercials this week. We'll explore laughs of recognition and idiosyncrasy as we develop sketches that send up real adverts and also ones that advertise something that would never normally be advertised. Some will be lampooning specific current commercials and others will be sending up perennial types of adverts. We'll also explore working with adverts from different time periods and we'll look at how you might try and capture the style of the original advert or how you might create a deliberately lowfi parody. We'll analyse examples from Mitchell & Webb, Rose Matafeo, SNL, Harry Enfield and more.
This is the first part in a uniquely comprehensive three-part sketch writing course for TV & online - parts 2 and 3 to follow. There is a loosely structured progression across the three parts, however you are welcome to jump in at any point and do them in any order.
This course is run by Chris Head.