TV preview: Young Hyacinth, BBC1

In some ways this is the most interesting of the current Landmark Sitcom Season reboots, in some ways it is the least interesting.

Almost two years after it began, BBC Three's Cuckoo is back for a second series. Trouble is, the two actors who formed the central romance of the show are gone; U.S comedian Andy Samberg as spaced-out hippy Dale "Cuckoo" Ashbrick, and Tamla Kari as the young British backpacker who fell for his bohemian charms and dragged him back to live with her middle-class parents in middle England.

It wouldn't have surprised me if creators Robin French and Kieron Quirke had decided to let the show die without Samberg and Kari coming back as the unconventional newly-weds, especially as series 1 ended in a satisfying way with few loose ends. Not many people have been crying out for more Cuckoo, let's face it, and Samberg fans can get their fix now he's the lead in U.S hit Brooklyn Nine-Nine over on E4. However, someone at the BBC obviously thought differently, so Cuckoo returns... and, ironically given the titular bird's thieving behaviour, has two new faces in the nest.

Esther Smith (The Midnight Beast) directly replaces Kari as Rachel Thompson, bringing a slightly geekier feel to the character; but rather than recast Cuckoo they've made the peculiar choice to kill him off (a tragic mountaineering accident, with Samberg providing vocals on a sherpa's radio), and bring in his long-lost son Dale. (I guess Cuckoo wasn't very imaginative when naming babies, and--if my maths is correct--must have fathered Dale when he was 14-years-old. Ewww.)

If you can overlook these weird changes, I'm still not sure it was worth bringing Cuckoo back for seconds. Lautner's best-known for showing his pectorals in Twilight movies, so doesn't have the comedy grounding that held Samberg in good stead. Or the same rapport with Greg Davies, as his step-mother's father. Oh yeah, that's another problem: by making Dale a blood relation of Cuckoo, it's all very yucky that Rachel and her mother Lorna (Helen Baxendale) both fancy him. If the show is still intending to be a comedy romance, at heart, this could get very uncomfortable indeed... but perhaps Lautner's character will just become more of an oddball lodger? To be fair to him, Lautner wasn't objectionable in this first episode--he just didn't leap off the screen, playing a slightly quieter character. I just wonder if drawing the Twi-hards is beneficial to Cuckoo, because at least the first series attracted discerning comedy fans aware of Samberg's work on Saturday Night Live, and with comedy group Lonely Island.

We'll have to see if Cuckoo II develops its own identity and memories of Samberg's presence melt away, but I have doubts the chemistry can be replicated. Not that the first series was a diamond, but it could have been polished with a proper return, whereas now it's back to square-one. It doesn't help that laughs were few and far between, either, but maybe future episodes will do better now this awkward transition is over...

The offbeat sitcom returns minus a key element following the exit of Andy Samberg's titular hippy. This season two opener sees things pick up a few years on from Cuckoo's disappearance. With life moving on for Rachel (Tamla Kari) and Dylan (Tyger Drew-Honey), parents Ken and Lorna (Greg Davies and Helen Baxendale) are preparing for an empty nest. That is, until a mysterious figure from Cuckoo's past arrives. Will Twilight's Taylor Lautner be able to fill Samberg's role as the new oddball on the block?

Though I didn't enjoy Vicious, I found that its companion piece The Job Lot had a lot to offer. Set in the West Midlands-based Brownhill Job Centre this focused on the staff and clients neither of whom particularly wanted to work.

Our hero of sorts is Karl (Russell Tovey) a young man who imagined he'd have a successful career after he got his art degree but has found himself working in a job he hates. He is constantly frustrated by trying to find work for people like Bryony (Sophie McShera) who blatantly don't want a job and just turn up so they can keep claiming benefits.

In this first episode Karl briefly quits the Job Centre only to return when he discovers that pretty temp Chloe (Emma Rigby) is due to start working there. However this new incentive is a short-lived one after he finds out that Chloe has a boyfriend and also that she'll be leaving after Danielle (Tamla Kari) returns from maternity leave early. Meanwhile manager Trish (Sarah Hadland) is irked by the return of Angela (Jo Enright) who took Trish to court after she fired her. It now appears as if Angela will be doing as little work as possible while Trish continues to head towards an inevitable breakdown.

While The Job Lot is far from perfect I found it to be well-observed with a couple of clever gags scattered throughout. In my daily life I've encountered people like Angela and Briony both of whom are bought to life perfectly by Enright and McShera. Meanwhile the programme also has a likeable lead in the form of Russell Tovey's Karl who gets through his day with the help of a drawer full of biscuits. Tovey is always an endearing screen presence and here his likeability is put to full use. I also thought Sarah Hadland was perfectly cast as the increasingly stressed Trish who is the perfect personification of the harassed boss.

Though The Job Lot does have some clunky moments, I found it to be a likeable sitcom with plenty to offer. Still I don't think it deserves its place on primetime television just yet and should've maybe been placed on ITV2 instead. I'm also not sure why it's been grouped with Vicious as the two have very little in common and will attract very different audiences.

I've tried to like Cuckoo (BBC3), I really have. I like the premise - girl goes gap-year travelling, comes back with floppy-upper-lipped American new-age husband. He's not quite what girl's family had in mind for her.

People I know and whose judgment I trust (did trust) have told me they think it's funny. But the girl (Tamla Kari) is so dippy that it's hard to feel anything for her except annoyance. The comedy is mainly based around the generational/ideological gap and tension between husband (Andy Samberg) and dad (Greg Davies); but it's overdone, forced, not recognisable or real. Nor is it surreal, or bold. It's just a little bit silly really.

The plot of Cuckoo revolved around Rachel - an 18-year-old who initially had a touch of the Saffy-from-Ab-Fab about her - who returned from her gap year married to our eponymous hero after meeting him at a Full Moon Party.

Hearing your daughter wed a hirsute hippy in a 'genuine Thai ceremony on a beach' and that you could have known about it earlier, if only you'd checked your Facebook messages, is not exactly every parent's dream. In fact, it's something of a nightmare. The reaction of Greg Davies and Helen Baxendale's characters was a little off in this sense, as you'd imagine the revulsion of such involved, middle-class parents at such a situation would be slightly more hysterical than the script seemed to allow for.

But generally, this inaugural episode was pretty hard to fault. It wasn't side-splitting at all times, but as amusing, smart and inventive comedies go, it worked. Tamla Kari as Rachel was the weak link here, but that's fine, because despite her story being at the centre of Cuckoo, it's not Rachel who is the point of this series; it's her parents and her new husband.

And by the looks of things, the strong performances by Samberg, Davies and Baxendale will be enough to carry this amusing effort throughout the entire series.

Chances are you won't know the star of this new sitcom, but Andy Samberg is well known in the US as a regular on Saturday Night Live and as part of the comedy troupe The Lonely Island.

Here he plays an American hippie called Cuckoo, perhaps not the last person on Earth you'd want your ­brilliant daughter to bring home from her gap year in Thailand, but not your first choice for ­son-in-law material, either.

Thanks to Samberg's subtly distracted performance, this is even funnier than it must have been on the page.

Cuckoo is new-age nonsense personified, but still cheesy enough to nick a chat-up line from Four Weddings and a Funeral.

Helen Baxendale and Greg Davies play shocked parents Lorna and Ken, with Tamla Kari as their smitten daughter Rachel and Tyger Drew-Honey from Outnumbered as Rachel's brother.

The scene when he ridicules Cuckoo over his name is even funnier when you remember his own name is Tyger.

British and American humour clash head-on in Robin French and Kieron Quirke's comedy which, on the evidence of the opener, manages to be both funny and annoying. When Rachel (Tamla Kari) arrives home from her gap year in Thailand, she surprises her doting, quirky parents, Ken and Lorna (the excellent Greg Davies and Helen Baxendale), by introducing them to her new husband, Cuckoo (American actor/comic Andy Samberg), claiming she told everyone about the wedding on Facebook. "I don't do Facebook, I'm 45," replies her dad. Cuckoo describes himself as "part teacher, part visionary, part firebrand". Needless to say, Ken isn't exactly enamoured with the goonish Cuckoo and wonders how her new man is going to support his impressionable daughter.