Press clippings

The Full Monty review

Wacky plots, endlessly irritating characters and a distinct lack of stripping - this Disney+ series isn't a patch on the film.

Lucy Mangan, The Guardian, 14th June 2023

The Full Monty review

Warning: contains no nudity! This TV sequel is a politically enraged portrait of a community fighting back under siege.

Louisa Mellor, Den Of Geek, 14th June 2023

The Full Monty, review

The hit 1997 film's stars have all returned for this spin-off series, which firmly wears its politics on its sleeve - with mixed success.

Michael Hogan, The Telegraph, 6th June 2023

The Full Monty review

As a general overview, I won't delve into spoilers, but I'd definitely say it might not be what you think it is, and this for more than for the better.

Dan Bullock, Critical Popcorn, 6th June 2023

The Full Monty revival first look

Paul Barber, 71, reprises his role as Horse, cruising around set on a Jamaican flag-adorned mobility scooter - as original cast begin filming the series sequel 25 years on.

Amelia Wynne, Daily Mail, 5th May 2022

The Full Monty cast reunite for TV series

The cast of 1997 film The Full Monty are to reunite for an eight-part comedy drama on Disney+.

British Comedy Guide, 28th March 2022

Only Fools And Horses stamps to be released by Royal Mail

Royal Mail is to release a set of 12 stamps to mark the 40th anniversary year of Only Fools And Horses.

British Comedy Guide, 2nd February 2021

Home From Home, BBC1, review

Old-school sitcom should focus on characters, not contrived plots.

Jeff Robson, i Newspaper, 28th April 2018

Rufus Hound was mistaken for Eddie Izzard by Denzil

Rufus Hound has revealed that he was once mistaken for Eddie Izzard by a comedy idol of his, Paul Barber, Only Fools And Horses' Denzil.

Georgina Littlejohn, The Sun, 26th February 2017

Interview: Paul Barber

Actor Paul Barber, most famous as Denzil in Only Fools and Horses tells Matthew Barbour about his health issues and the death of his co-star Roger Lloyd-Pack from pancreatic cancer.

Matthew Barbour, The Mirror, 1st February 2016

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