Grumpy Old Women To The Rescue... review

Grumpy Old Women features tremendous talent that is sadly wasted on a stale script.

Grumpy Old Women To The Rescue review

Everyone's bonding together in a 'mums' night out' spirit, free to say what they really think. If that sounds like your idea of a good night, the GOW will hit the spot like a chardonnay with pals. Their 'sod it' honesty is almost empowering, a manifestation of grey pride.

Till Death Us Do Part preview

Tightened budgets are cutting deep at the BBC. They can't even afford sets with walls for their season of Lost Sitcoms...

The Lost Sitcoms: Till Death Us Do Part - review

While there were some laughs, especially in the phone box scenes in which lines get crossed, the episode did feel at times rather pedestrian. You get the feeling that of all the episodes the BBC could have picked to remake, this was one of the lesser ones.

TV preview: Till Death Us Do Part, BBC4

Are you ready for a cross between Festen and Mrs Brown's Boys? This is the weirdest contribution to the Landmark Sitcom Season yet. BBC4 has recreated a lost episode of the 1960s Alf Garnett sitcom Till Death Us Do Part using Johnny Speight's surviving script. And as they say on the internet, when you watch it your jaw will hit the floor.

Preview: Till Death Us Do Part

Unfortunately, this outdated set-up works against the production, reminding audiences how much our day to day lives have changed in 40 years - and not just with the advent of mobile phones and, dare we say it, Just Eat and Deliveroo.

Sharon Horgan returns to the always slightly dodgy world of the BBC Three sitcom with this new series about a woman wrongly sent to prison for murdering her boss.

In Dead Boss, innocent convict Helen Stephens is trying her best to overturn her conviction, which is not easy, as seemingly everyone around her is keen on her staying banged up. Her unhinged, arsonist cellmate Christine (Bryony Hannah) doesn't want her new friend to leave her; Governor Margaret (Jennifer Saunders) can't be bothered with the paperwork; the prison's reclusive "boss" Top Dog (Lizzie Roper) once was Stephens' bullied substitute teacher whose taunts leader her to murder her own husband; and former co-worker Henry (Edward Hogg) may seem keen on getting Stephens out, but he is a obsessive stalker who wants her to relay only on him.

The show began with a double-bill, which seemed like a good move, given that the second was clearly the stronger of the two. Both had their moments, but the first seemed to be concerned with setting up the situation more than the actual comedy - which is to be expected, really. The second episode, in which the prison runs a quiz where the top prize was five years off winner's sentence, had the better plot and, on the whole, was lots of fun.

I know some critics have been likened it, unfavourably, to Porridge, which was inevitable I suppose. However, both shows have major differences in terms of content, casting, and studio audiences (Porridge had one). It might even be better to think of Dead Boss as a comedy drama rather than a straight sitcom. Oh, and stop comparing the two.

Then again everyone else will probably be saying the same thing: "Why did they cancel Pulling?"

Fans of comedy duo Ben Miller and Alexander Armstrong should lap up this spiffingly funny one-off comedy. It's written by Simon Nye (Men Behaving Badly) and is set in London in 1908, the year the Olympics first came to the city.

Murdo (Armstrong) and Felix (Miller) are posh, fun-loving friends who happily indulge in a drink-and-drugs fest while one of them attempts to complete in the Games, and the other plans a sudden marriage to a lady called Fanny (obv), and all the while they utter a non-stop stream of innuendo.

The rave-dancing sequence is hilarious, Armstrong and Miller are a joy, and they're well supported by Georgie King, Katy Wix and Lizzie Roper. Let's have a full series, please.

This episode in the network's ambitious Comedy Showcase short series, is by and stars Tim Minchin as Jonny, lead singer of rock band Perspex, who's left Australia to find fame and fortune. Just as it seems within his band's grasp he meets Verity, beautiful lead singer of a Christian pop band, and their mutual chemistry is instant. So will this change his path to that of true love and different values or, by inducing deep suffering, make him a better artist? The remarkable supporting cast includes Peter Serafinowicz, Dan Antopolski and Lizzie Roper.