Dream Horse review

Cinemas are open, so the feel-good Brit comedy is back.

Mum, Series 3 finale, BBC Two review

Tears of laughter and sadness.

You couldn't really get much less dramatic than the essential smallness of Mum, in which, for the six-piece final series, the widowed Lesley Manville and her own batch (son, girlfriend, inept brother Derek, brother's dreadful snob girlfriend, love interest Michael, dead hubby's parents) have decamped to a mansion. Pauline, brother's dreadful snob GF, has paid for all via a divorce settlement to celebrate Derek's birthday in a "posh" rented mansion full of towels folded into swans.

Tender, foul, awkward, human, never less than hugely funny, this has been one of the delights in my job. To see the glee of an ensemble piece - as well as Manville, of course, and Peter Mullan as shy Michael - in this last incarnation. Creator Stefan Golaszewski has said Mum has probably run its course, and he's most likely right, but what an absence it will bring. The depth of talent was unveiled, and it was wholly right to condense this last series into one claustrophobic week; a week in which Pauline essentially admitted she was a bad person, and we remembered the very smallness of the nigglings that haunt our lives if they're allowed to.

The entire cast shone. Karl Johnson's grandpa Reg (his outrage at coming across a shampoo labelled "not tested on animals" was a particular joy); Sam Swainsbury as son Jason played a richly subtle balance of thick, kind and misguidedly worldly.

Mum works as drama just as much as comedy. The many moments when Jason and Michael are left alone in a room, a house, a garden, are utterly fraught: at every one of Michael's half-gambits at conversation, every silently insolent shrug from Jason, you will cringe and gently perspire at memories of your own awkwardnesses (taking slightly too long to wash a mug, or slightly too short a time to answer with a monosyllable).

Mum, Cathy, finally snaps, in her own, nice way. Rude to nobody, she simply saunters, champagne in its bucket and Michael's hand in hers, towards a long lovely lawn, her body language yelling a cheerful "fuck you all".

Mum review: Cathy & Michael's relationship like Brexit

We are still kept guessing about the status of Cathy's love life in the third and final series of BBC2's family sitcom Mum, which stars Lesley Manville as a bereaved widow embarking on a new relationship.

Mum, BBC2, review: the perfect storm

I have been felled by the smallest of moments in previous series - god knows the state I'll be in for the finale.

Mum - A love letter to a comedy

As with every series ending, I was quite trepidatious about the conclusion to Mum and how Golaszewski would handle the characters he clearly cares for dearly.

Mum, series two: ending that doesn't disappoint

Oh, Cathy, Oh, Michael. What sheer televisual joy.

Mum makes the mother of all returns

Poignant is a word that doesn't get used much these days, but it fits Mum (BBC Two) like a glove. In this spare, quiet sitcom, deep emotions aren't so much plumbed as plucked at in a piquant, reserved, achingly sympathetic way.

TV preview: Mum, BBC2

The first series of Mum found saintly Cathy (Lesley Manville) mourning the death of her husband and dealing with her, erm, colourful family. The second series starts with a marginally lighter issue. She is about to turn sixty and also has her Essex family descending on her en masse.