Review: Dead Pixels deserves a better platform

Why is Dead Pixels tucked away on The Big Bang Theory channel? (Some people refer to it as E4).

Review: Dead Pixels has levelled up

With sharp, quotable writing, strong comic performances and an irresistible outsider perspective, E4's Dead Pixels series 2 is the natural successor to Peep Show...

Dead Pixels series 2 review

Setting a sitcom in the world of gaming is not the most obvious move: your target audience might find it hard to put down the controller long enough to watch, while the premise is likely to alienate those who wouldn't know their Overwatch from their Runescape.

Dead Pixels review

From what I've seen of Dead Pixels, I can assure you this is an inviting import with plenty of promise. Bawdy, incisive, timely, and inventive, Dead Pixels is exactly the kind of show we need to pep up the summer TV lineup.

A Shaun the Sheep Movie: Farmageddon review

Kids and fans of Shaun The Sheep will get a kick out of his latest extra-terrestrial adventures. A solid video and excellent audio presentation make up for a lacklustre set of extras.

A Shaun The Sheep Movie: Farmageddon Blu-ray review

What is there left to say about Aardman animation? Consistently brilliant for decades, their latest film, the sequel to 2015s Shaun The Sheep Movie is another absolute gem. Essentially a modern-day silent film, Farmageddon is a delightful, warm-hearted adventure that had me giggling all the way through, and at some points absolutely howling with laughter.

Writer accuses C4 of plagiarising Dead Pixels

A former comedy writer has accused Channel 4 of 'ripping off' his script for gaming sitcom Dead Pixels. Computer journalist Stuart Sumner says he was 'shocked' at similarities between the E4 comedy and his sitcom treatment, Real Life, and is now seeking legal advice.

Bristol-based Aardman Animation takes one giant leap for lambkind by introducing a rainbow-coloured alien to the tranquil surroundings of Mossingham. Denizens of Mossy Bottom Farm including the naughty pigs and rooster (the clucking image of Rocky from Chicken Run) remain in the background of Jon Brown and Mark Burton's script.

The sequel is lighter on visual gags - a local supermarket stocks jars of Roswell's jam and signage for H.G. Wheels Autos is a cute nod to The War Of The Worlds - but action set pieces are orchestrated with brio.

Shaun (Justin Fletcher) and his farmyard buddies clash with Bitzer the sheepdog (John Sparkes), who wants to restrict fun in the absence of Farmer John (Chris Morrell).

While the master is lost in fanciful daydreams of purchasing a new combine harvester, Shaun and the flock drive Bitzer to the brink of barking madness by firing sheep out of a giant cannon.

Late one night, an alien spaceship descends on Mossingham and a cute creature called Lu-La (Amalia Vitale) finds its way - via a pizza delivery cyclist - to the farm. Shaun stumbles upon Lu-La in a barn and befriends the extra-terrestrial with slices of leftover pizza.

The plucky sheep vows to help the stricken extra-terrestrial return to her hidden spaceship and send a distress signal into outer space. Unfortunately, Agent Red (Kate Harbour) and her team of operatives in bright yellow hazmat suits are on Lu-La's trail and they intend to capture the alien.

A Shaun The Sheep Movie: Farmageddon is an entertaining sequel, which replicates the emotional heartbeats of Spielberg's classic ET, underscored with earthy humour and lively musical interludes.

World of Dorkcraft: this caustic new sitcom pokes fun at hardcore acolytes of online role-playing games, following exasperated office drone Meg (Raised by Wolves's brilliant Alexa Davies) and skittish shut-in Nicky (Will Merrick) as they happily ignore any and all real-world responsibilities to pursue intangible gains in the orc-filled world of Kingdom Scrolls. Creator Jon Brown - a writing veteran of Fresh Meat - clearly knows his virtual subject, mining surprising amounts of pathos and raunch from a plausibly gaudy gaming realm.