Why, 60 years on, Spike Milligan's Bed Sitting Room is as relevant as ever

Spike Milligan's post-apocalyptic dark comedy The Bed Sitting Room has not been performed on stage for almost 40 years. Now, ahead of a rehearsed reading of the script that the former Goon wrote with John Antrobus, producer John Hewer recalls what drew him to the project...

Eric Sykes and the Big Bad Mouse at Edinburgh King's

West End producer and one time Edinburgh King's panto director Paul Elliott used to tell me about a play he produced, one that had become legendary for its anarchic nature. It was a farce called Big Bad Mouse and it came to the Capital in 1973. Leading the cast of that production were Eric Sykes and Jimmy Edwards who had made the piece their own.

Why Just a Minute hides a far more ruthless reality

Just A Minute has become one of the nation's most beloved radio shows -- but it began as a classroom humiliation, inflicted on daydreamers by a history teacher at Sherborne School in the Thirties.

Invented by Ian Messiter in 1967, now starting its 57th season, still brilliantly chaired by resourceful Nicholas Parsons (who got the gig when Jimmy Edwards, the original choice for chairman, said he'd rather play polo than turn up on a Sunday to record the pilot episode). Messiter, who also invented Many a Slip and other fondly remembered amusements, used to wear red socks at recordings, for luck. Perhaps "red socks" could be a subject for tonight's panel, Graham Norton, Paul Merton, Gyles Brandreth and Jenny Eclair, as they strive to fill their 60 seconds.

Any ad-libbed, improvised show requires a special skill from the players, and in a professional sense they are living dangerously. There was an occasion in Just a Minute when the subject was snapshots. Kenneth Williams was unhappy about one of my decisions, which went against him on this subject, and he began to harass me. Peter Jones and Derek Nimmo joined in, which added to the pressure. In an effort to bring them to order, I said: "I'm sorry Kenneth, you were deviating from snapshots, you were well away from snapshots. It is with Peter, snopshots, er snipshots, er snopshits . . . snop . . . snaps." The audience roared with laughter. I added: "I'm not going to repeat the subject. I think you know it . . . and I think I may have finished my career in radio."

QI, however much it tries to be subtly different, is part of a glorious tradition. When radio first presented panel shows they cast them from those with a proven intellectual background. This mold was broken in the early 1960s, when Jimmy Edwards devised a programme for the Home Service, with himself as chairman, called Does the Team Think?. The panellists were all well-known comedians, Tommy Trinder, Cyril Fletcher and others, who proved that comics were just as intelligent as academics, and usually much funnier.

QI is a direct descendant. And when you have Stephen Fry, and contestants such as Alan Davies, Hugh Laurie and Danny Baker, and a producer of the calibre of John Lloyd, the BBC must be on to a winner.