In the Long Run, series 3, episode 1, review

When did Idris Elba last make anything good?

Review: Sky Summer Shorts - Jocelyn Jee Esien's Summer

Jocelyn Jee Esien's very short two-hander finds her playing a daughter lost in a West London park with her mum (Ellen Thomas) as they try to find their way to the Notting Hill Carnival.

Nicola Hughes, Patrick Robinson, Ellen Thomas interview

The Millers are a larger than life West Indian family who prove to be a match for the Johnsons in the new series of Mount Pleasant. Husband and wife Cameron and Jenna Miller are played by Nicola Hughes and Patrick Robinson. They live with his mother, Nana (Ellen Thomas) as well as their two children.

Series 3 gets off to a quite unforgettable start tonight as we witness the sudden birth of Adam and Alex's baby daughter in the back of a black cab. But what will burn this scene forever into your memory is the unlikely member of the cast who has the honour of acting as midwife.

Fast forward several months and while Adoha and Colin (Ellen Thomas and Steve Evets) are both desperate to be godparents to baby Katie there's a much less welcome arrival in the shape of two church officials.

The new area dean and diocesan secretary (the great double act of Joanna Scanlan and Vicki Pepperdine) will put the future of St Saviour's in doubt. Adam (Tom Hollander) has to go all out to convince them that his church is thriving, even if it struggles to achieve even a tenth of the turnout of the nearby mosque. So he teams up with the local imam (Fonejacker's Kayvan Novak) to raise funds to pay for a children's playground.

Apart from that terrific opening set piece, Rev isn't a comedy that tends to go in for grand gestures, preferring instead for the humour to bubble up gently from the depth of its wildly assorted characters ranging from Archdeacon Robert (Simon McBurney) at the top all the way down to Mick (Jimmy Akingbola).

In a medium awash with lazy stereotypes, it's original thinking that stands out. The most compelling television provides a new perspective on an old story, and challenges the laziest of preconceptions with wit, humour and more than a dash of bravado.

BBC Two's new series Rev is pretty much a masterclass in how to pull this off. Take one fine actor (Tom Hollander), add an equally brilliant supporting cast (Olivia Colman, Steve Evets, Miles Jupp, Lucy Liemann, Simon McBurney, Ellen Thomas), choose a fraught subject (religion), throw in some punchy writing (James Wood) and get Peter Cattaneo (of The Full Monty fame) to direct the lot and what have you got? A damn fine reason to stay up late on Monday nights, that's what.

Firstly, the subject matter: religion, or more specifically, the Church of England. With the notable exception of Father Ted, comedies involving vicars tend to be soporifically safe. Not only is Rev travelling without seatbelts, it is also doing 90 miles an hour down country lanes with the roof off and the stereo on full blast. This is no gentle cake-and-cassock comedy; it's the story of an ordinary, fallible vicar living in a tough, brutal world who is trying to do something very extraordinary: stay true to his faith.

That the Reverend Adam Smallbone is an ordinary fellow we know from his behaviour. He is a man who jumps the lights on his bike, who gets nervous and drinks too much at parties, who tries (and fails) to have sex with his wife. His flawed but irresistibly likeable persona comes across loud and clear in just a few opening moments, brilliantly pinpointed by the direction, the writing and, of course, by Hollander himself, whose performance is outstanding.

The themes, too, are unrelentingly contemporary. Smallbone is in charge of St Saviours, a grand, dilapidated church in a run-down inner-city area of London with a confusingly mixed catchment. There are the regulars, a rag-tag collection of locals led by Colin, the neighbourhood ne'er do well, who has a fond affection for the "vicarage"; and there are the newcomers, in the shape of the arrogant, urbane middle classes, led by the local MP, played as a modern-day social Flashman by Alexander Armstrong. Simon McBurney is deliciously oily as the Archbishop, who Smallbone only ever seems to encounter in the back of a taxi, all black leather gloves and dark threats.

The opening theme is current and controversial: "On your knees, avoid the fees", chirps Armstrong's villainous MP, as he horse-trades a place for his delinquent son in exchange for cash to repair the broken stained glass window of St Saviours. It's a merciless commentary on modern life; but it also has a surprisingly strong moral, dare I say thoughtfully theological, core. The temptations that assail Smallbone may be very contemporary in their nature; but they are as eternal as the themes of the Bible itself: right v wrong, truth v corruption, the poor v the rich.

As to the comedy, it's of the organic kind, not the obvious gag kind. Outside the church, the Reverend and Colin share a bottle of beer and discuss Richard Dawkins (as you do). "If I met him I'd kick him in the bollocks," says Colin, with customary frankness. Earlier Smallbone, confronted for the nth time by a group of sneering builders and their spectacularly unfunny jokes about choir boys, pauses. Slowly, and with a look of weary resignation, he removes his dog-collar. "Why don't you just f*** off," he says. The viewer punches the air with joy.

Interview with the stars of Rev

Interviews with Tom Hollander, Olivia Colman, Steve Evets and Ellen Thomas.