We Are Lady Parts: an endearingly angsty teenage dream

We Are Lady Parts is at once a delightful coming-of-age story and an authentic representation of varied Muslim experiences courtesy of its five discernible protagonists.

There were always rumours surrounding Diana, Princess of Wales, and her taste for a walk on the wild side. This amusing series, which dramatises apocryphal celebrity stories, returns for a third run, exploring a famous 80s legend. Did Diana enjoy a night out at the Royal Vauxhall Tavern, the gay cabaret bar? It is suggested that after a day on the bubbly with Freddie Mercury and Kenny Everett, Di dressed as a man, donned a pair of shades and hit the town. Sophie Rundle plays the princess, David Avery and Mathew Baynton are her celeb chaperones.

Urban Myths: Princess Diana preview

Sky Arts have chosen a cracking true story to kick off their new series of Urban Myths, about the time Freddie Mercury, Kenny Everett and Princess Diana walked into a bar - the Royal Vauxhall Tavern gay club to be precise, the epicentre of London's drag scene at the time.

TV review: Urban Myths - Backstage At Live Aid

For the second short Urban Myths film in this run of reimagined famous events it is July 1985, we are backstage at Live Aid and, understandably, organiser Bob Geldof is in a bit of a tizzy. Nobody seems to want to go on, because they've twigged that the start of the show won't be broadcast live in America.

Borderline and the art of flailing in the void

The cast of Borderline all seem to be overflowing with talent. I'm surprised the genuine in-the-moment brilliance of these actors hasn't received more attention.

In its almost twenty years on air, Channel Five have produced very few sitcoms with the only ones I can remember being co-productions with other networks. Written and created by Chris Gau and Michael Orton-Toliver, Borderline is a mockumentary set around the border control of a fictional Northend Airport. Of all of the comedy formats I feel that the mockumentary must be one of the easiest to produce as the characters can spout of expositional dialogue without it feeling out of place. Borderline also does feel like the sort of show that you would see on Channel Five ordinarily with it smacking of the likes of Holiday Airport UK and UK Border Force. The characters that Gau and Orton-Toliver have created are also believable enough and resemble those sort of people you'd see on a low-rent documentary. So for example you have the pencil-pushing boss Proctor (Jackie Clune) who in the opening episode is keen on enforcing the latest mandate from the Home Office. There's also Clive (David Elms) who is perfectly suited to the job and Grant Brodie (Jamie Michie) who is known for detaining a lot of passengers purely based on their ethnicity. Just like any workplace comedy, Borderline has a couple of characters who don't want to be there with Tariq (David Avery) having aspirations to be a DJ and Andy (Liz Kingsman) wanting to be anywhere other than the airport. While I thought that the characterisation of the central five figures was strong, Borderline lacked anything in the way of amusing material that felt original. Anything that was done during Borderline had been done better elsewhere in the likes of The Office, W1A and the incredibly underrated People Like Us. In fact Borderline feels rather old-fashioned when you consider the fly-on-the-wall documentaries that the show spoofs aren't as prominent as they were at the turn of the century. Of the cast I enjoyed the performances given by Clune and Elms both of whom inhabited their characters well and tried their best with the weak material. Whilst I do applaud Channel Five for having a go at producing a sitcom I didn't find anything particularly memorable about Borderline. The most damning thing I can say about the show is that I didn't laugh once and that's not good for the first episode of a sitcom which is meant to make you want to stick around for the rest of the series.

TV preview: Borderline

Much is made of how Borderline is part-improvised, though it's the result, not the process, that matters, and the subdued tone does mean it's relatively short on laugh-out-loud moments, though there are plenty of droll smiles. And while the characters are engaging, they don't have the strong personalities that would make Borderline an appointment-to-view, though that's always a hard call to make from just one episode before we know them properly.

TV review: Borderline, 5

There is very little that is original about Borderline, written by Chris Gau and Mike Orton-Toliver and partly improvised by the cast, but the good news is that there are some nice performances and decent slow-burn gags.