Rewind: Psychoville revisited

A third season of Inside No. 9 arrives on our TV screens this month, so let's take a look back at its creators' previous comedy venture, Psychoville.

Just as The X Factor departs our screens, Channel 4 dances on its grave with this poison-pen satire. Written by Charlie Brooker and Konnie Huq (his wife of 16 months), it imagines a depressing future where our hero Bing (Daniel Kaluuya) is one of millions who ride exercise bikes in gyms all day while watching an X Factor-ish talent show called Hot Shot.

It's a resoundingly bleak world they've created: people live in cells with walls of interactive video screens playing ads you must pay to avoid; everyone eats from vending machines; and everyone wears grey tracksuits, unless they commit the crime of getting fat, in which case they wear yellow smocks and appear on a brutal game show called Botherguts.

Bing's dreary existence is lightened when he meets beautiful Abi (Jessica Brown Findlay from Downton Abbey) and sees a way out of the drudgery for her, via a place on Hot Shot. The story evolves (very slowly, mind you) as a haunting allegory about the way TV exploits and humiliates us, and the production design is superbly grim. Shame the targets feel big and easy.

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Daniel Kaluuya's performance here is so amazing, you can even forgive him for appearing in Johnny English Reborn.

"Three ex-Ravenhill patients dead in the same month Coincidence? I don't think so," says Hoyti Toyti shopkeeper Peter (a swishingly camp turn from Jason Watkins, who played Herrick in Being Human). He's soon on the scent of the assassin and sharing with Tealeaf (Daniel Kaluuya) a dark secret in his shop basement. So the plot tightens in this dance of the macabre, where there's dubious pleasure in watching just how far Reece Shearsmith and Steve Pemberton will go in testing their audience's bad taste threshold. A literal bloodbath involving Maureen Sowerbutts, a Haringey social worker, a breadknife and bin liners makes for queasy but irresistible viewing. A sequence with Mr Jelly and David running amok in a home for the bewildered achieves high farce. Hattie (Pemberton in pink lippy) turning all Kathy Bates in Misery and forcing a snog on gay hubby Shahrouz should make some punters squirm, but it was her crass remarks to a rape victim that ultimately crossed the line for me. Still, full marks for audacity.

Happy Finish, the second Comedy Lab, fares much better. It's not as character driven as iCandy so benefits from a bit more variety and the time to develop some sharper gags.

Sketches like the girl who doesn't understand how any drinking game works is repeated once too often, but there are no real problems with Happy Finish. Downloading an episode of Lost, overly aggressive children's entertainers and the message from Jesus are among the best sketches and prove that the writer's are thinking outside the box but need to work on the crux of the gag a little more.

These first episodes are a good start and will hopefully get some of these performers noticed, Psychoville's Daniel Kaluuya in particular.