Alex Price

  • Actor

Press clippings

It's a pleasure to see talented writers and performers given their head in this Sky short film strand. The format offers freedom but demands concision and invention too - tonight's offerings from Isy Suttie and Sarah Solemani exploit the opportunity gleefully.

First up is Suttie, starring as dopey, charming dreamer Bella - working in the café of a tiny train station, challenging the romantic pragmatism of her boss, friend and rival Jenny (Rebekah Staton) and occasionally, bursting into song. As a cheerful musing on small towns and crap jobs, it packs plenty into its 25 minutes.

Then at 9.30pm there's Sarah Solemani's Aphrodite Fry. Stung by the poor sexual etiquette of a one-night stand, Aphrodite sets out to prove that women can 'cum and go' too. For this purpose, she selects an apparently charmless partner (Alex Price's Bobby, a man whose dreams are to 'make lots of money and meet Mike Tindall'). But inevitably, she discovers frailty and humanity within this unpromising raw material.

Both films are slight and not without their flaws and self-indulgences, but they overflow with charm too.

Phil Harrison, Time Out, 4th April 2013

In Mouth to Mouth an Essex-girl called Meeshell recounted dumping her best friend and her boyfriend to try to win a version of The X Factor. The level of humour of this illustrated monologue can be judged from the phonetic spelling of her name, by lines such as "I'm not age-a-list, I just don't want to smell piss when I sing" and by the writer Karl Minns' belief that spastic colons and testicular cancer are of themselves funny. His one-liners kept on coming, unfortunately. No sooner was her unbelievable whine over than we heard the story again from Meeshell's cynical ex-boyfriend Tyler in the second part of the double bill. Anna Nightingale as Meeshell and Alex Price as Tyler produced the sorts of trying-too-hard performances normally inflicted only on audition reels. Sadly, it will be a while before Minns is hailed as the next Alan Bennett.

Andrew Billen, The Times, 24th November 2009

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