Editor?

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Nigel Ball
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Hello can someone point me in the right direction of a good reliable script editor. I have searched the net and frankly my head is now pecked! :S
 
Without words there would be no writing, without the need for writing there would be no words.

http://www.facebook.com/pages/BAD-THOUGHTS-PRODUCTIONS/368600983176035
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Mikey Jackson
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Surely a script editor is only hired (whether it be in-house BBC or a prodco) when your script is actually being made.

Right now, just concentrate on getting your "calling card" script as good as you can make it.
 
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Nigel Ball
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I was thinking along the lines of, maybe getting some professional eyes on my script before I bust the move towards an agent. I don't want to scupper any chance with an agent if my script is floored for what ever reason.

The same with the agent thing. I have looked around the net and my head is double pecked,and I think this is something I need help with.
 
Without words there would be no writing, without the need for writing there would be no words.

http://www.facebook.com/pages/BAD-THOUGHTS-PRODUCTIONS/368600983176035
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Marc P
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If it's comedy try Micheal Jacob. Mention this site.
http://michealjacob.wordpress.com
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Nigel Ball
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Thanks Marc,he covers screenplays and drama aswell which is what I need, thanks for your help buddy. :D
 
Without words there would be no writing, without the need for writing there would be no words.

http://www.facebook.com/pages/BAD-THOUGHTS-PRODUCTIONS/368600983176035
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Lazzard
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How many people have read it so far?
It's worth getting a few people to look at it before you shell out on a professional reader.
That way the really silly stuff like spelling (it's ''flawed' not 'floored', by the way :) ) and "is it funny" can be dealt with early on - meaning the script reader can spend more of his time (and your money) on the trickier stuff like structure etc.
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Nigel Ball
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yeah cheers for that laz :D a few of my mates and my wife have read it,they like it found it original,funny etc.

I don't want this to sound terrible but I feel I am surrounded by yes men at times,and I feel a realistic overview of my script is necessary,is it sellable etc.

and to point out any flaws. *huh*
 
Without words there would be no writing, without the need for writing there would be no words.

http://www.facebook.com/pages/BAD-THOUGHTS-PRODUCTIONS/368600983176035
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Lazzard
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You're right.
There comes a time when you want to say " Ok, so what's the bad news?"
Cos there's always bad news!
Sounds like you're ready for it.
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Marc P
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Put the first few pages or so up in Critique.
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Nigel Ball
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is it worth getting a reader then? if it is flawed and it needs correcting I am quick to the pen, and I can take criticism and contradiction.

i have been working on this for the best part of 18 months and I am at the point of, now what?

my wife thinks it time to send it out,i think it needs professional eyes. *huh*
 
Without words there would be no writing, without the need for writing there would be no words.

http://www.facebook.com/pages/BAD-THOUGHTS-PRODUCTIONS/368600983176035
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Marc P
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There are some professional eyes here Nigel as well as others. People may read a few pages, I wouldn't put a whole screenplay up. WHat format is it for?
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Lazzard
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Happy to read the first ten pages, if it helps.
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Godot Taxis
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I'll read anything for a tenner.
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bigger niche
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Quote: Mikey Jackson @ September 23 2012, 2:49 PM BST

Surely a script editor is only hired (whether it be in-house BBC or a prodco) when your script is actually being made.

Right now, just concentrate on getting your "calling card" script as good as you can make it.


Apparently some people get a "script doctor" to look things over and write a report / make suggestions prior to submission.
 
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Micheal Jacob
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Quote: Marc P @ September 24 2012, 12:35 PM BST

Put the first few pages or so up in Critique.


Thanks for the recommendation Marc, and that's good advice. Although I do script reports, there have been occasions when it would have felt like ripping someone off to take money for notes when the script hasn't been ready for them. So I send those scripts back, with some brief advice based on the first few pages. There's no point doing a detailed analysis when fundamentals aren't working. The three biggest problems tend to be lack of a structured story, thin characterisation, and leaden dialogue. So getting some feedback from the wise members of BCG before paying me or anyone else for notes should help get a script to a stage where notes would be useful.
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